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The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Giandomenico Tiepolo was the elder of Giambattista’s two artist sons, and his closest collaborator. While training with his father prepared him to assist with his mural decorations, Giandomenico also established himself as an independent painter, with his own commissions. In 1762 he accompanied his father to Spain, where the latter had been commissioned to paint a fresco on the dome of the Throne

The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

The Stripping of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Stripping of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

Christ at the Column
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Christ at the Column
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P355 to P362. They came from the Convent of San Felipe Neri, Madrid, from which they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions set forth in the contract (if one ever existed) by the secular clerics of San Felipe Neri. Therefore, we have no

Christ falls on the Way to Calvary
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Christ falls on the Way to Calvary
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Dressed in white with the Crown of Thorns, Jesus has fallen under the weight of the Cross, on the path to Calvary. Behind him are Simon of Cyrene, who helps him with the Cross, and the Holy Women, one of whom carries the sign with the inscription INRI with will later be placed on the Cross; as well as a group of people who accompany Jesus to mount Golgotha, where he is to be crucified. Golgotha is

The Agony in the Garden
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Agony in the Garden
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The Agony in the Garden, painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri de Madrid, is one scene in a series of eight depicting the Stations of the Cross. The series would have decorated the church´s aisles, the usual location for representations of scenes from Christ´s Passion, with a painting or sculpture of the Cruci

The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

Burial of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Burial of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

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