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The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro
The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro

In the foreground, Diana holds a bow in her left hand while extracting an arrow from her quiver with the right. The moon appears over her forehead, and behind her, a fragment of the Zodiac includes th [+]

Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van
Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van

The painting entered the Museum holdings as an original work by Jan Both. In 1959 Blunt identifies it as the landscape listed in the 1701 inventory of the Palace of the Buen Retiro and maintains the a [+]

The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Supported by an angel and accompanied by a youthful angel holding the crown of thorns, the dead Christ lies on the orb of the world before God the Father and the dove of the Holy Spirit. The expressiv [+]

The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Mounted on a white steed and flanked by an angel bearing a flag, Saint James gallops over a multitude of fallen Moors and horses. The battle scene occupies a rocky landscape in the middle ground. This [+]

Saint Luke
Oil on canvas. Ca. 1778
Bayeu, Francisco
Saint Luke
Oil on canvas. Ca. 1778
Bayeu, Francisco

This is a sketch for one of the frescoes on the gospel side of the Royal Chapel at the Royal Palace of Aranjuez. Painted in 1778-1779, those frescoes of Saint Luke Painting the Virgin present the sain [+]

Funeral Rites for a Roman Emperor
Oil on canvas. 1634 - 1635
Domenichino (Domenico Zampieri)
Funeral Rites for a Roman Emperor
Oil on canvas. 1634 - 1635
Domenichino (Domenico Zampieri)

This is the best-documented painting in the entire History of Rome cycle. It is also one of the works that raises the most questions about aspects as important as its authorship and its subject matter [+]

Venus with the signs of Libra and Taurus
Oil on canvas. XVI century
Facchetti, Pietro
Venus with the signs of Libra and Taurus
Oil on canvas. XVI century
Facchetti, Pietro

The planet Venus, accompanied by a torch-bearing child, represents the morning star. Behind them, a fragment of the Zodiac presents the signs of Libra and Taurus. At the top, a winged figure rests his [+]

The Triumph of the Lamb of God
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Triumph of the Lamb of God
Oil on canvas. Ca. 1778
Bayeu, Francisco

This is a sketch for the vault above the high altar in the chapel of Aranjuez palace. God the Father is enthroned and embraces the Mystic Lamb, while angels spread the apocalyptic message inscribed on [+]

Saturn with the sign of Capricorn
Oil on canvas. XVI century
Facchetti, Pietro
Saturn with the sign of Capricorn
Oil on canvas. XVI century
Facchetti, Pietro

The life-sized figure that represents the planet Saturn holds a scythe in his hands. Behind him, a fragment of the Zodiac bears the sign of Capricorn. At the left, a winged figure leans on the Zodiac´ [+]

The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of [+]

The Prophecy of Isaiah
Oil on canvas. 1778 - 1779
Bayeu, Francisco
The Prophecy of Isaiah
Oil on canvas. 1778 - 1779
Bayeu, Francisco

The prophet Isaiah is depicted on clouds, surrounded by angels and pointing to one of them, who holds a scroll with the following Latin text concerning the birth of the Messiah: “Behold, a virgin shal [+]

The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco

These are sketches for the frescoes adorning the main altar of the chapel in the Palace of Aranjuez. The brilliant, highly detailed technique reveals the lingering influence of the Italian, Corrado Gi [+]

The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa
The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa

This canvas is one of a series of scenes from the life of Saint John the Baptist commissioned in Naples from Artemisa Gentileschi, Massimo Stanzione (The Birth of John the Baptist announced to Zachari [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca
The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca

En el plano superior aparece la Virgen sentada sobre una nube sostenida por ángeles; abajo y en sombra, ángeles músicos. El artista señala la existencia de planos a través del color y del detalle, más [+]

Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado
Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado

Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]

The Constellations
Oil on canvas. XVI century
Facchetti, Pietro
The Constellations
Oil on canvas. XVI century
Facchetti, Pietro

The sphere of the heavens appears in the foreground, filled with stars and held from above by an angel. At the bottom, a blank scroll.This painting and its companions (P306 to P312) are copies of cart [+]

The Holy Trinity, the Virgin and Saints
Oil on canvas. Ca. 1755
Giaquinto, Corrado
The Holy Trinity, the Virgin and Saints
Oil on canvas. Ca. 1755
Giaquinto, Corrado

Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]

The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco

These are sketches for the frescoes adorning the main altar of the chapel in the Palace of Aranjuez. The brilliant, highly detailed technique reveals the lingering influence of the Italian, Corrado Gi [+]

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