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Adoration of the Shepherds
Oil on canvas. After 1575
Anonymous
Adoration of the Shepherds
Oil on canvas. After 1575
Anonymous

This is a modest bottega product illustrating the passage on the birth of Christ (Luke 2: 8-20) which lends itself particularly well to a nocturnal setting. It is a replica, not of the Adoration of the Shepherds Jacopo executed in 1590 for San Giorgio Maggiore in Venice, as previously believed, but of the painting depicting the same theme housed at the Louvre (inv. 430), which is an entirely autog

Saint Ambrose in his Cradle (?)
Pencil ground, Ink, Grey-brown wash on laid paper. Ca. 1673
Anonymous
Saint Ambrose in his Cradle (?)
Pencil ground, Ink, Grey-brown wash on laid paper. Ca. 1673
Anonymous

The drawing is associated with the painting The Miracle of the Bees (Museo de Bellas Artes in Seville), which opens the series devoted to the Life of Saint Ambrose, painted by Juan Valdés Leal around 1673. The scene takes place when Saint Ambrose was a baby and focuses on a tense moment in which the governess is frightened and is about to scare away the bees that are approaching the child’s

Mirror framed by eagle heads
Glass. XVII century
Anonymous
Mirror framed by eagle heads
Glass. XVII century
Anonymous

A large two-headed eagle embraces the frame of a mirror with its legs and outspread wings. Mention should also be made of the crown that seems to trap the two heads, collar-like, and the figurehead at the top that conceals the supports. This type of mirror, evidently heraldic, is inspired by the coat of arms of the Catholic Monarchs held by the eagle of St John, which enjoyed extraordinary popular

Holy Face
Silver. XIX century
Anonymous
Holy Face
Silver. XIX century
Anonymous

This splendid locket, made of embossed silver, depicts an image of the Holy Face of Christ on a gold background surrounded by some of the attributes of the Passion on the front: the crown of thorns, nails, spear and rod with sponge and ladder. The rear side features several tiny bone fragments along with a handwritten label that tells us that they belong to Saint John of the Cross (1542-1591), the

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