The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
74 results
The Martyrdom of Saint Menas
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)
The Martyrdom of Saint Menas
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)

Saint Mena extends his arms and raises his gaze to Heaven, refusing to worship the graven idol presented to him at the left of the composition. As a result, he was martyred and decapitated. His suffering occurred in the year 296, under the rule of Diocletian. It is indicated here by the sword held by the person who has seized the saint, and by the pliers in the basket, which were used to pull out

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

The Recapture of Saint Christopher
Oil on canvas. 1634 - 1635
Castello, Félix
The Recapture of Saint Christopher
Oil on canvas. 1634 - 1635
Castello, Félix

The island of Saint Christopher (modern-day Saint Kitts) in the Lesser Antilles was invaded by the English and French and recaptured by Spanish forces in 1629. The Spanish expedition was led by Fadrique de Toledo y Osorio, I Marquis of Villanueva de Valdueza and Captain General of the Ocean Fleet. He was accompanied by Fleet General Martín de Vallecilla and Admiral Antonio de Oquendo. After

Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim
Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim

The Virgin and Child are placed on a hill in the centre of the foreground, isolated from the rest of the figures, as in the Berlin panel (Gemäldegalerie ). The dark forest here begins in the middle ground behind the Virgin, merging with the background landscape to one side of the main figure. The countryside to the right, with the motifs of the farm, the village in the middle ground and the c

The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined and lyrical view of nature helped disseminate the classical ideals of the Carracci`s landscapes.Albani`s The judgement of Paris, c.1650-60, shows the shepherd prince admiring the beauty of three godd

Wisdom
Oil on canvas. 1770
Castillo, José del
Wisdom
Oil on canvas. 1770
Castillo, José del

Paired with P07726, P07727 y P07729. These are sketches for cartoons for tapestries intended to adorn the King’s Antechamber known as the “Pieza de Conversación” in the Royal Palace of Madrid. Based on the allegories painted by Corrado Giaquinto for the equivalent room in the Palace at Aranjuez, they are notable for the apocalyptic symbols, such as the dove of the Holy Sprit conveying God´s

The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

The capitulation of the Rhenish city of Jülich was one of the most outstanding events at the beginning of the Thirty Years War (1618-1648). Occupied by Maurice of Nassau’s French troops since 1610, Jülich surrendered to an army led by the Marquis of Los Balbases, General Ambrosio de Spínola, who would later triumph at Breda. This event took place after the truce established in 160

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

The Spanish Monarchy
Grisaille, Oil on canvas. 1794
Bayeu, Francisco
The Spanish Monarchy
Grisaille, Oil on canvas. 1794
Bayeu, Francisco

A sketch for a ceiling at Madrid´s Royal Palace, painted in 1794. Bayeu used grisaille technique: a monochrome depiction in shades of gray and chestnut brown. The Spanish Monarchy is represented by an imposing matron wearing a helmet and surrounded by allegorical figures that constitute a group of considerable iconographic interest for which Bayeu had to conscientiously study the treatises then cu

Wamba renouncing the Crown
Oil on canvas. Ca. 1819
Ribera y Fernández, Juan Antonio
Wamba renouncing the Crown
Oil on canvas. Ca. 1819
Ribera y Fernández, Juan Antonio

An elderly Wamba rejects the crown that the Visigoth nobles offer him with a wave of his hand, but one of them threatens to kill him if he does not accept it. This work was painted for the Casino de la Reina in Madrid, and was envisaged as a pair to Cincinnatus abandons the Plough to dictate Laws to Rome, painted several years earlier and also in the Prado.

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

Agila I
Oil on canvas. 1856
Puebla y Tolín, Dióscoro Teófilo
Agila I
Oil on canvas. 1856
Puebla y Tolín, Dióscoro Teófilo

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Alfonso VI of León and Castile
Oil on canvas. 1851
Cortés, Ramón
Alfonso VI of León and Castile
Oil on canvas. 1851
Cortés, Ramón

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Ferdinand II of León
Oil on canvas. 1851
Lozano, Isidoro
Ferdinand II of León
Oil on canvas. 1851
Lozano, Isidoro

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

Saint Michael the Archangel
Mixed method on panel transferred to canvas. 1495 - 1500
Master Of Zafra
Saint Michael the Archangel
Mixed method on panel transferred to canvas. 1495 - 1500
Master Of Zafra

Bearing a sword in his right hand, and a shield in his left, Saint Michael, dressed in red robes, attacks a dragon, the symbol of sin. The upper part of the composition shows three heavenly choirs while, behind the Saint, good angels fight against the rebels, some of whom are represented as having already turned into horrible monsters, symbols of evil. The anonymous painter appears reflected in Sa

Liuvigild
Oil on canvas. 1854 - 1855
Barroeta y Anguisolea, Juan de
Liuvigild
Oil on canvas. 1854 - 1855
Barroeta y Anguisolea, Juan de

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Theodoric, King of the Visigoths
Oil on canvas. 1635
Castello, Félix
Theodoric, King of the Visigoths
Oil on canvas. 1635
Castello, Félix

This canvas was part of an unfinished series of Visigoth monarchs painted for the Buen Retiro Palace, which also included works by Vicente Carducho, Jusepe Leonardo, Antonio Pereda and Andrés López. That palace’s 1703 inventory lists only thirteen paintings of Gothic kings from this series commissioned after 1634, when the series of battle paintings for the same palace’s Hall of Real

Up