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Drunken Silenus
Oil on canvas. 1630 - 1635
Fracanzano, Cesare
Drunken Silenus
Oil on canvas. 1630 - 1635
Fracanzano, Cesare

A satyr fills the wineglass of a fat, grotesque Silenus who smiles at another satyr seen from behind. This comic treatment of the classical myth derives from Ribera with whom Fracanzano worked from ar [+]

The Triumph of Bacchus
Oil on canvas. 1636 - 1638
Vos, Cornelis de
The Triumph of Bacchus
Oil on canvas. 1636 - 1638
Vos, Cornelis de

El carro triunfal de Baco con todo su cortejo en relación con la hostilidad del rey Penteo aparece en libro III de las Metamorfosis de Ovidio (528 seq.): "(...) Ha llegado Líber; los campos resuenan c [+]

Eugenia Martínez Vallejo, Naked
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, Naked
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

After the death of Velázquez, Carreño showed himself to be the artist most worthy of continuing the depiction of monsters, jesters, and dwarves that inhabited the Spanish court. Inventor [+]

Bacchanal
Oil on canvas. 1625 - 1626
Poussin, Nicolas
Bacchanal
Oil on canvas. 1625 - 1626
Poussin, Nicolas

This is a traditional scene from the iconography of Bacchus, the Roman god of wine. It depicts his meeting with Ariadne on the island of Naxos. The god rides a chariot pulled by lions, and helps his f [+]

Autumn
Oil on canvas. 1805 - 1806
Maella, Mariano Salvador
Autumn
Oil on canvas. 1805 - 1806
Maella, Mariano Salvador

Bacchus, the god of wine, is the figure traditionally associated with Autumn. Accompanied here by a satyr with a wineskin, he leans on a barrel and raises a goblet of wine in a pose inspired by the cl [+]

Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano
Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano

Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]

Silenus and Sophocles
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Silenus and Sophocles
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Bacchus and Ariadne
Pencil, Grey-brown wash, White lead on papel verjurado, verdoso. Ca. 1715
Conca, Sebastiano
Bacchus and Ariadne
Pencil, Grey-brown wash, White lead on papel verjurado, verdoso. Ca. 1715
Conca, Sebastiano

La composición enmarcada a tinta presenta a la izquierda a Ariadna sentada; a la derecha, Baco la corona en pie y un fauno arrodillado vierte el vino en un ánfora. Al fondo, Sileno, transportado por s [+]

Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous
Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous

Dibujo en el que se representa a la izquierda un amorcillo y dos faunos dan de beber a un hombre tendido, como Baco o Sileno. A la derecha una ninfa asiste a la escena rodeada de sátiros y amorcillos. [+]

Athena
White marble. Early I century
Roman Sculptor
Athena
White marble. Early I century
Roman Sculptor

This is a Roman copy of a statue of Athena, created between 450 and 440 B. C. by the Greek sculptor Myron, together with the figure of Marsyas. Installed on the Acropolis of Athens, between the Propyl [+]

Silenus
Marble. 170 - 190
Roman Sculptor
Silenus
Marble. 170 - 190
Roman Sculptor

This fragment of a Roman statue shows Silenus holding the infant Dionysus in his arms. It is a copy of a Greek original made between 290 and 280 B. C. by one of Lysippus´s pupils. The realistic [+]

Dionysiac Party
Marble. 50 A.C. - 25 a.C.
Roman Sculptor
Dionysiac Party
Marble. 50 A.C. - 25 a.C.
Roman Sculptor

Queen Christina of Sweden’s famous puteal is not a parapet (puteal in Latin), but an altar from the garden of a Roman villa (the top is currently missing). The different scenes of the relief show seve [+]

Head of a Male Goat
White marble. 15 - 30
Anonymous
Head of a Male Goat
White marble. 15 - 30
Anonymous

This head of a goat, formerly in the collection of the Marquis of Carpio (1629-1687), is a fragment of a sculpture depicting a common subject in Antiquity, in which a small rider (Bacchus, Cupid or Ve [+]

The Triumph of Bacchus
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of Bacchus
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Cornelis de Vos conservado en el Museo Nacional del Prado (P01860). Esta estampa se entregaba con [+]

The Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Cornelis de Vos conservado en el Museo Nacional del Prado (P01860). Esta estampa se entregaba con [+]

Triumph of Bacchus
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Triumph of Bacchus
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Cornelis de Vos conservado en el Museo Nacional del Prado (P01860). Esta estampa se entregaba con [+]

Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Cornelis de Vos conservado en el Museo Nacional del Prado (P01860). Esta estampa se entregaba con [+]

Egg-shaped agate vessel with cameos on the foot, stem and finial
Gold, Agate, Chalcedony, Cowry, Silver gilt, Enamel. 1600 - 1630
Kobenhaupt, Hans
Egg-shaped agate vessel with cameos on the foot, stem and finial
Gold, Agate, Chalcedony, Cowry, Silver gilt, Enamel. 1600 - 1630
Kobenhaupt, Hans

Vessel made up of two pieces of chalcedony and an enamelled gold mount. The body is formed by a deep hemispherical base and a smaller lid of the same shape surmounted by a delicate pyramidal openwork [+]

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