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Because this work is signed and dated, it reveals the existence of a painter by the name of Felipe Ramírez, although art historians know virtually nothing else about him. This lovely example of [+]
It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]
This image of Saint Benedict of Nursia (c.480-547) was painted for the high altar in the Church of Santo Domingo el Antiguo, one of the oldest convents in Toledo founded by the Benedictine order in th [+]
This painting was first recorded in 1746 in the Spanish royal collection, together with Still life with Flowers, Gilt Goblet, Almonds, Dried Fruits, Sweets, Biscuits, Wine and a Pewter Flagon (P1620). [+]
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Esta fotografía pertenece a una serie formada por 55 piezas (HF1158, HF1213). Las fotografías pertenecen a una colección compuesta por una descripción de cada pieza del Tesoro del Delfín en papel, que [+]
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Esta fotografía pertenece a una serie formada por 55 piezas (HF1158 a HF1213). Las fotografías pertenecen a una colección compuesta por una descripción de cada pieza del Tesoro del Delfín en papel, qu [+]
An ivory Christ with copper arms that were probably added at a later date. The cross consists of various pieces of rock crystal joined by metal rods covered with painted parchment. The clasps are of e [+]
Vessel similar to O38, except that the cover is missing. The precious stones on the jasper ring are complete, and the remaining cameos consist of a Roman-style bust of a crowned man and a woman’s head [+]
Two men play skittles among Roman ruins in a setting that recalls Venetian view paintings or vedute. The scene is framed by a border with fruit, musical and scientific instruments, books and a tray wi [+]
Black felt bicorn hat with red-and-yellow Rosette fastened by a clip with two gilt silver cords, attached to a golden button decorated with the words “Museum of Painting and Sculpture” around a palett [+]
To go by the descriptions in the 17th and 18th century inventories of the Dauphin’s Treasure, and judging from the volumes of the interior of its case, this vessel, which was badly damaged during the [+]
This footed tray is a presentation salver that forms a pair with O-60 of the Dauphin’s Treasure. Both are made from a single piece of lapis lazuli. It has a round, flat-bottomed bowl, low sides and a [+]
Estuche forrado exteriormente de cuero con decoración incisa de soles, lirios, florones, claveles y roleos dorados. El interior conserva restos de seda blanca, con cierres metálicos. El estuche de est [+]
A jug comprising various pieces of crystal and six adornments in gilded silver. The glass case of a reliquary, possibly Rhenish, has been used for the body, to which a base has been added, decorated w [+]
An oval salver or tray made up of seven pieces of rock crystal, identical in structure to O104. There are variations in the decorative composition, the work of the same Milanese workshop, recognisable [+]
Oval salver made up of seven pieces of rock crystal joined by a silver mount. The body consists of a moulded silver gilt oval piece with an oblong slot for the foot. The engraved decoration is at the [+]
