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Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous
Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous

An ivory Christ with copper arms that were probably added at a later date. The cross consists of various pieces of rock crystal joined by metal rods covered with painted parchment. The clasps are of enameled and nielled silver. This is a German work, probably from the area of Renania, although the figure of Christ derives from French models and the cross bears similarities to some Venetian works.

Silver pax with Charles II
Gilt-bronze, Silver. Ca. 1691
Anonymous
Silver pax with Charles II
Gilt-bronze, Silver. Ca. 1691
Anonymous

Este portapaz y su pareja (O3394) en origen servían para ser besados durante la celebración de la Misa. Inicialmente, ambos tenían como efigie en la calle central un tema religioso, en este caso la representación de dos santos identificados en las cartelas inferiores como San Hipólito mártir y Santa Concordia. Las dos placas ovales quedan enmarcadas por una sencilla estructura arquitectónica en fo

Silver pax with Maria Anna of Neuburg
Gilt-bronze, Silver. Ca. 1691
Anonymous
Silver pax with Maria Anna of Neuburg
Gilt-bronze, Silver. Ca. 1691
Anonymous

In this medallion and his partner (O3392) the idealised king and queen are depicted according to the conventions of painted portraits, their faces in half-profile against a plain background with a large curtain. Charles II wears armour and the emblem of the Golden Fleece. Maria Anna, his second wife whom he married by proxy in 1689, wears an ornate, low-necked bodice with a jewelled brooch and the

Case for small jade and silver-gilt brazier with two masks
Silk, Metal, Leather, Wood, Paper. 1675 - 1700
Anonymous
Case for small jade and silver-gilt brazier with two masks
Silk, Metal, Leather, Wood, Paper. 1675 - 1700
Anonymous

This case takes the form of the vessel for which it was made, a Small jade and silver-gilt brazier with two masks (O64). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with

Cylindrical crystal jar with lid
Silver gilt, Rock crystal / hyaline quartz. 1200 - 1230
Anonymous; Roberday, François I
Cylindrical crystal jar with lid
Silver gilt, Rock crystal / hyaline quartz. 1200 - 1230
Anonymous; Roberday, François I

A jug comprising various pieces of crystal and six adornments in gilded silver. The glass case of a reliquary, possibly Rhenish, has been used for the body, to which a base has been added, decorated with swirling flutes, all joined together with a late mannerist adornment, in a style that some specialists associate with the circle of the silversmith François I Roberday.Owing to its great va

Rock crystal salver with pierced border and ten engraved stems
Silver gilt, Rock crystal / hyaline quartz. Ca. 1615
Anonymous
Rock crystal salver with pierced border and ten engraved stems
Silver gilt, Rock crystal / hyaline quartz. Ca. 1615
Anonymous

An oval salver or tray made up of seven pieces of rock crystal, identical in structure to O104. There are variations in the decorative composition, the work of the same Milanese workshop, recognisable by the flowers on the ends of the central spiral patterns. On this piece, however, the clearly Baroque decoration has, to borrow Arbeteta’s phrase, burst its banks. Moreover, the gentle curve of the

Rock crystal salver with pierced rim and four
Silver gilt, Rock crystal / hyaline quartz. Ca. 1615
Anonymous
Rock crystal salver with pierced rim and four
Silver gilt, Rock crystal / hyaline quartz. Ca. 1615
Anonymous

Oval salver made up of seven pieces of rock crystal joined by a silver mount. The body consists of a moulded silver gilt oval piece with an oblong slot for the foot. The engraved decoration is at the ends, leaving the central areas almost unadorned. It consists of a series of spirals ending in seeds that mark the rhythms of the composition, and four flowers or rosettes at the ends of the pattern.

Large jade and silver gilt vessel with cover
Nephrite, Silver gilt. XVII century
Anonymous
Large jade and silver gilt vessel with cover
Nephrite, Silver gilt. XVII century
Anonymous

Vessel with a tall foot formed by a silver gilt mount and a body consisting of a shallow oval bowl of greyish jade (nephrite), with a diminished arch profile. Running around the lip is a broad mount with a border of inclined egg motifs which raises the smaller cover, a second piece of jade crowned with a three-leafed silver gilt bud. It rests on a silver tripod structure with four S-shaped scrolls

Small rock crystal ewer with a boy, without a handle
Gold, Silver gilt, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous
Small rock crystal ewer with a boy, without a handle
Gold, Silver gilt, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous

A vessel composed of three pieces of rock crystal and two partially enamelled silver gilt mounts, practically the same as O75, though lacking its handle. The globular body is made up of two pieces assembled with a moulding. The upper one is undecorated while the lower one has a bas-relief ornamentation of helicoidal gadroons and darts. A short collar joins it to the round foot. The piece is comple

Oval agate platter with a cruciform motif
Agate. XVII century
Anonymous
Oval agate platter with a cruciform motif
Agate. XVII century
Anonymous

An oval piece of agate in the form of a flat brimmed tray with rounded corners. Carved in low relief on the bottom is a cruciform motif with radial arms, a central pearl decoration, and inserted rows of beads. It had a large filigree mount that disappeared in 1815 after the looting of the Treasure during the Peninsular War.The mount on the platter is described in the 1689 Versailles inventory as f

Goblet of partially-agatised jasper
Gold, Silver gilt, Jasper, Enamel. 1590 - 1620
Anonymous
Goblet of partially-agatised jasper
Gold, Silver gilt, Jasper, Enamel. 1590 - 1620
Anonymous

Goblet comprising two pieces and two adornments of enamelled gold and gilded silver. It has a deep body with a bell-shaped profile and a round mouth. A ring-shaped adornment made of gold, with a central strip of ovolos and bands and black inlaid enamelling joins the base, which is flat and round, to the node of the very short stem. The adornment of the edging is of gilded silver with incised point

Small jade and silver-gilt brazier with two masks
Nephrite, Silver gilt. S XVI - XVII century
Anonymous
Small jade and silver-gilt brazier with two masks
Nephrite, Silver gilt. S XVI - XVII century
Anonymous

This small brazier, already cited in the 1689 Versailles inventory, follows the French classical taste propitiated by Le Brun, Maison, Bérain and others. The vessel is made up of seven pieces of jade and silver gilt mounts. The body consists of a large piece of jade on a tripod foot formed by three dogs’ paws with six hanging festoons, ribbons, and a low gadrooned receptacle ending in a rin

Octagonal tray with interlaced foliate decoration
Gold, Rock crystal / hyaline quartz. 1610 - 1620
Anonymous
Octagonal tray with interlaced foliate decoration
Gold, Rock crystal / hyaline quartz. 1610 - 1620
Anonymous

A glove tray formed by nine pieces of rock crystal and a framework of gilt brass. Rising around the sides of an elongated octagonal plaque are trapezoidal pieces of rock crystal assembled to form an octagonal mouth. The central piece has engraved decoration in a field marked out by lines running parallel to the edge. It consists of crossed patterns of foliate spirals and seeds, confronted in the n

Case for large jade and silver gilt vessel with cover
Metal, Fabric, Leather, Wood. 1690 - 1711
Anonymous
Case for large jade and silver gilt vessel with cover
Metal, Fabric, Leather, Wood. 1690 - 1711
Anonymous

This case takes the form of the vessel for which it was made, a Large jade and silver gilt vessel with cover (O65). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool

Small rock crystal ewer with children and snake-shaped handle
Gold, Silver gilt, Ruby, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous
Small rock crystal ewer with children and snake-shaped handle
Gold, Silver gilt, Ruby, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous

The pair of O76, this vessel is composed of three pieces of rock crystal and two partly enamelled silver gilt mounts, both similar to O74. The globular body is made up of two pieces assembled with a moulding. The upper part is smooth while the lower one, with a bas-relief decoration of helicoidal gadroons and darts, is joined to the round foot. The piece is completed by two upper mounts forming a

Platter with the story of Hermaphroditus and cameos of the Twelve Caesars
Gold, Silver gilt, Rock crystal / hyaline quartz, Lapis lazuli, Pearls, Enamel. 1570 - 1590
Fontana, Annibale -Designer- (?); Trezzo, Jacopo Nizzola Da (?); Anonymous; Workshop Of The Sarachi
Platter with the story of Hermaphroditus and cameos of the Twelve Caesars
Gold, Silver gilt, Rock crystal / hyaline quartz, Lapis lazuli, Pearls, Enamel. 1570 - 1590
Fontana, Annibale -Designer- (?); Trezzo, Jacopo Nizzola Da (?); Anonymous; Workshop Of The Sarachi

This O- 80 Made in a single piece of rock crystal, this masterpiece is a show of technical virtuosity. Its decoration permits philosophical, political or even alchemical readings, since it can symbolise the plenitude of the human being, the Universal Monarchy, or the transmutation of alchemy. Visually, it tells the story of Hermaphroditus, based on Ovid’s Metamorphoses. The fruit of the union betw

Casket covered with cameos
Amethyst, Gold, Agate, Cowry, Silver gilt, Sardonyx, Silk, Velvet, Lapis lazuli, Peridot, Enamel. 1630 - 1650
Anonymous
Casket covered with cameos
Amethyst, Gold, Agate, Cowry, Silver gilt, Sardonyx, Silk, Velvet, Lapis lazuli, Peridot, Enamel. 1630 - 1650
Anonymous

Casket with a rectangular body and hipped flat-topped lid. Rising from a silver gilt base is a framework of gold, according to the 1689 Versailles inventory, with white enamelling. The entire surface is covered with velvet, though the pile is now very worn, on which there are 113 appliqués of cameos and smooth bevelled stones or cabochons, framed by borders of festoons and thorns enamelled

Rock crystal salver with gadrooned decoration
Silver gilt, Rock crystal / hyaline quartz. Ca. 1600
Anonymous
Rock crystal salver with gadrooned decoration
Silver gilt, Rock crystal / hyaline quartz. Ca. 1600
Anonymous

Oval salver made up of seven pieces of rock crystal joined by mounts and mouldings of openwork silver. The central piece is oval, engraved with striking radial gadroons and a strip of festoons with two plant sprays and rows of seeds at the ends. It rests on a moulded oval foot of silver gilt. The brim of the salver is composed of a double moulding linked by four T-shaped elements with a pierced ce

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