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The Crowning with Thorns
Oil on slate. 1590 - 1598
Bassano, Leandro
The Crowning with Thorns
Oil on slate. 1590 - 1598
Bassano, Leandro

The composition is derived from a Cristo incoronato di Spine done by Jacopo Bassano towards 1589-1590 (Rome, private collection), in which Ballarin clearly sees the influence of Titian´s Christ Crowne [+]

The Annunciation
Oil on canvas. 1631 - 1635
Turchi, Alessandro
The Annunciation
Oil on canvas. 1631 - 1635
Turchi, Alessandro

This panting belongs to a series consisting, initially, of nine Feasts of our Lady that Spain’s ambassador to the Vatican, Cardinal Gaspar de Borja y Velasco (1580-1645), sent from Rome, in 1635 or ea [+]

Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del

Piombo was the Italian painter most in demand by Spanish clients during the first half of the sixteenth century. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commiss [+]

Portrait of a Gentleman
Oil on panel. 1550 - 1555
Volterra, Daniele Ricciarelli Da
Portrait of a Gentleman
Oil on panel. 1550 - 1555
Volterra, Daniele Ricciarelli Da

Michel Hochmann identified the painting in the Capodimonte as the ‘Quadretto corniciato di pero tinto con un ritratto di un giovane, in pietra di Genova, di mano del medesimo [Daniele]’ refered to in [+]

Ecce Homo
Oil on slate. 1547
Titian (Tiziano Vecellio)
Ecce Homo
Oil on slate. 1547
Titian (Tiziano Vecellio)

Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a model provided by the duke. The earliest surviving Ec [+]

Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico
Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico

A decisive breakthrough in the career of the Tuscan painter Lodovico Cigoli came with his contribution to a series of six paintings required for the new altars for St Peter’s Basilica in Rome. Accordi [+]

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