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Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous
Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous

This small altarpiece, divided into three horizontal and three vertical rows, is dedicated to Saint Christopher, who protects against sudden death. His image occupies the central row, which is topped by the Crucifixion. Saint Christopher was a third-century martyr known as "Christ´s Carrier", because of his legend. Born as Offerus or Reprebus, he wished to use his enormous strength and uncom

Youth in classical dress, standing with his head in profile to the left and holding a staff in his left hand
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous
Youth in classical dress, standing with his head in profile to the left and holding a staff in his left hand
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous

Two nude men, each wearing a tiara [anti-popes (?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Two nude men, each wearing a tiara [anti-popes (?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

One of the figures holds a staff with a scroll.

Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous
Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous

El rostro es muy cercano a Anton von Maron (1733-1808). En este momento Mengs ya estaba en Roma y era Director de la Academia, por lo que seguramente eligió o influyó en la elección de esta postura.

The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous
The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous

In front of an architectural background, the Virgin and Saint Elizabeth hold out their hands towards each other while Zechariah, in the shadow of the door situated on the right, and Saint Joseph, on the left, gaze at them. Saint Joseph is holding a travelling hat in his hand. This is a narrative detail, which may possibly obey, the post-Tridentine requirement for a relevant and historically accura

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