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Saint Joseph and the Christ Child
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint Joseph and the Christ Child
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Saint Joseph holds a flowered staff. He is accompanied by the Christ Child, who offers him a basket with carpentry tools, alluding to the saint´s profession. The worship of Saint Joseph was especially favored by the Council of Trent and devotion to him became especially widespread in Spain, where numerous paintings were also made. The technique used in this painting, with outstanding chiaros

Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

This work was, until recently, believed to depict Saint James. This was largely due to its description, by Friar Francisco de los Santos in his Descripción breve del Monasterio de S. Lorenzo el Real del Escorial (1657). However, Friar Francisco de los Santos also noted that the apostle is not represented according to customary iconography, for he is depicted in the manner he would have dres

Saint Roch
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint Roch
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

Roch is identifiable by the pilgrim’s hat and staff, his naked, wounded thigh, and the dog that carries a piece of bread in its mouth and waits by its master. In Ribera’s time they were well-known attributes, given that Saint Roch was remarkably popular as protector against the plague.

Saint James the Greater
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most important series is the one that Ribera painted around 1630. It is mentioned for the first time in the Royal Collection towards the end of the eighteenth century and is made up of paintings of varying qua

Women Gladiators
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto
Women Gladiators
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto

This painting shows the finale of a brutal encounter between two female fighters. The woman on the right has attained the upper hand over her opponent, who has fallen injured to the ground, and is about to administer the coûp de grace. In the background, to the left, is a man in Roman military dress resting on a staff, and behind the wall of the arena stand soldiers and male civilians watchi

Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace Jesusa Vega de otras estampas para esta colección (Vega, J.: Museo del Prado. Catálogo de estampas, Museo del Prado, 1992).De esta estampa existen pocos ejemplares. Salió al mercado sin encuadernar en

Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace Jesusa Vega de otras estampas para esta colección (Vega, J.: Museo del Prado. Catálogo de estampas, Museo del Prado, 1992).De esta estampa existen pocos ejemplares. Salió al mercado sin encuadernar en

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