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The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers that included pikemen, swordsmen and musketeers) of Flanders. Breda`s extraordinary strategic importance made it one of the most disputed cities in the Spanish monarchy`s prolonged war against the Uni

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

Gonzalo Fernández de Córdoba at the Battle of Cerignola
Oil on canvas. 1835
Madrazo y Kuntz, Federico de
Gonzalo Fernández de Córdoba at the Battle of Cerignola
Oil on canvas. 1835
Madrazo y Kuntz, Federico de

Este lienzo es una de las obras fundamentales de la pintura del Romanticismo español, así como el primer cuadro importante de este género realizado por Federico de Madrazo a lo largo de su fecundísima carrera, que dedicaría después de forma prácticamente exclusiva a la pintura de retratos. Realizado en tamaño poussinesco es decir, a un tercio del natural, siguiendo la moda académica de esos años.

The Baptismal procession of Prince Juan, son of the Catholic Kings, through the streets of Seville
Oil on canvas. 1910
Pradilla y Ortiz, Francisco
The Baptismal procession of Prince Juan, son of the Catholic Kings, through the streets of Seville
Oil on canvas. 1910
Pradilla y Ortiz, Francisco

This painting depicts the baptism of Prince Juan. It is based on the description of that event from Historia de los Reyes Católicos (History of the Catholic Kings) by Andrés Bernáldez, published in 1856. The documentary rigor of this text is transferred to the canvas, so we can speak here of the archeological veracity with which Pradilla reconstructed that historical event. Th

Pilate washing his Hands
Tempera grassa on pine panel. 1540 - 1545
Correa de Vivar, Juan
Pilate washing his Hands
Tempera grassa on pine panel. 1540 - 1545
Correa de Vivar, Juan

Among the commissions that Correa made for the former monastery of the Bernardine fathers at Santa María la Real de Valdeiglesias are a group of three panels with scenes from the Passion of Christ. Their representations in circular compositions and many stylistic similarities indicate that they belonged to the same set. These three panels depict three successive stories: Pilate washing his

The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

Queen Zenobia before the Emperor Aurelian
Oil on canvas. Ca. 1717
Tiepolo, Giovanni Battista
Queen Zenobia before the Emperor Aurelian
Oil on canvas. Ca. 1717
Tiepolo, Giovanni Battista

Episodio de la historia de la reina de Palmira, que formó parte de la decoración de un salón en el Palacio Zenobio de Venecia, con escenas de la vida de la reina, cuyo nombre era el de la familia. Zenobia, reina de Palmira, mantuvo la independencia de su reino y gobernó frente al acoso de Roma entre los años 262 y 272 d. C., cuando fue derrotada y hecha prisionera por el emperador Aureliano.

The Liberation of Brisach
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Liberation of Brisach
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

This canvas depicts the liberation of the city of Brisach on October 16, 1633, following its besiegement by the Protestant Count of the Rheingau, Otto Ludwig von Salms. Its liberation marked the culmination of the Duke of Feria’s 1633 campaign to maintain free communication between the Milanesado, Germany and the Netherlands. The city of Brisach played a strategic role in this line of communicatio

The Battle of San Quintín
Oil on canvas. 1692 - 1693
Giordano, Luca
The Battle of San Quintín
Oil on canvas. 1692 - 1693
Giordano, Luca

Obra que forma parte de la serie de bocetos para los frescos de la escalera de El Escorial, que narra los episodios más significativos de la Batalla de San Quintín. Según parece, estos frescos son lo primero que Giordano pintó a su llegada a España. En este cuadro aparece el primer paso de la narración, en el que Giordano muestra el fragor de la batalla sin mostrar verdadero interés por la ambient

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

The Relief of Genoa by the 2nd Marquis of Santa Cruz
Oil on canvas. 1634 - 1635
Pereda y Salgado, Antonio de
The Relief of Genoa by the 2nd Marquis of Santa Cruz
Oil on canvas. 1634 - 1635
Pereda y Salgado, Antonio de

Here, the doge of the Republic of Genoa emerges through the gates of the city in order to receive Don Álvaro de Bazán, the Marquis of Santa Cruz, who has arrived as the commander of a fleet intended to protect the city from assault by the French troops led by the Constable Lesdiguières and Charles Emmanuel I, the Duke of Savoy. In the distance, the city´s populace jubilantly g

The Defence of Cadiz against the English
Oil on canvas. 1634 - 1635
Zurbarán, Francisco de
The Defence of Cadiz against the English
Oil on canvas. 1634 - 1635
Zurbarán, Francisco de

The event depicted is Cadiz’s defense from the attack of an English fleet of one hundred ships and ten thousand men commanded by sir Henry Cecil, Viscount of Wimbledon, which occurred on November 1, 1625. That defense was led by don Fernando Girón y Ponce de León, a veteran of the Flanders campaigns and a military advisor who had been appointed governor by the king after he offered h

Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel
Series of the Conquest of Mexico
Oil, Shell work on canvas mounted on panel, panel. 1698
González, Juan; González, Miguel

This panel inlaid with mother-of-pearl executed in New Spain is part of a group of twenty-four pieces that narrate the capture of Mexico.

The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José
The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José

With this canvas painted in Paris, Casado del Alisal reached his own understanding of Velázquez, bringing a new realism to Spanish history painting. But here, rather than reflecting history painters’ traditional fascination with Spain’s glorious past -especially the reign of the Catholic Monarchs and the splendors of the empire- Casado turns his eye to a much more recent case, evoking one o

The Storming of Rheinfelden
Oil on canvas. 1634
Carducho, Vicente
The Storming of Rheinfelden
Oil on canvas. 1634
Carducho, Vicente

Bernardo Monanni, Secretary of the Florentine Embassy in Madrid, called this painting The Relief of the Three Cities on the Rhine by the Duke of Feria. He was undoubtedly influenced by the inscription on the lower right corner, which mentions not only Rheinfelden, but also three other neighboring cities: Waldzut, Sechim (Säckingen) and Laufenburg. The duke appears in the foreground, standing

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