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The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de

This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]

The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de

This work was part of a series of canvases with scenes recalling how the people of the Iberian Peninsula resisted Roman domination. The idea for this series grew out of a patriotic impulse against the [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por J. F. Taylor, esta litografía, que reproduce el óleo de José de Ribera (P01124), custodiado en el Museo Nacional del Prado, se atribuye a Isidore-Justine-Séverin Tay [+]

Mercury and Argus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Mercury and Argus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce un lienzo pintado por Rubens y su taller (P01673). Esta estampa se entregaba con el cuadernillo CXL acompañado de un texto explic [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Prince Baltasar Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservada en el Museo Nacional del Prado (P01233).Baltasar Carlos había nacido [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre-Jules Jollivet que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo Nacional del [+]

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue [+]

The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de Juan de Pareja conservado en el Museo Nacional del Prado (P01041), se atribuye a Isidore-Justine-Séverin Taylor ( [+]

Philip II
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Tiziano conservado en el Museo Nacional del Prado (P00411). Esta estampa se entregaba con el cuadernillo LXXII acomp [+]

Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Recapture of San Juan in Puerto Rico
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre-Jules Jollivet (1784-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]

The Surrender of Breda
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Florentino Decraene (1793-1852) que reproduce el lienzo de Velázquez conservado en el Museo Nacional del Prado (P01172). La estampa se encuadernó en el segundo volumen, cuadernill [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Parmigianino. Girolamo Francesco Maria Mazzola); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Parmigianino. Girolamo Francesco Maria Mazzola); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII e i [+]

Prince Baltasar Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Prince Baltasar Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado ( [+]

The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi que reproduce el lienzo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02311). Es la estampa LXIII que iba acompañada de un texto explicati [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Parmigianino. Girolamo Francesco Maria Mazzola); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Parmigianino. Girolamo Francesco Maria Mazzola); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII aco [+]

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