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Still Life with Vase of Flowers and a Puppy
Oil on canvas. Ca. 1625
Hamen y León, Juan Van Der
Still Life with Vase of Flowers and a Puppy
Oil on canvas. Ca. 1625
Hamen y León, Juan Van Der

This work and its companion (P6413) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in De Croy’s Madrid palace, where they flanked the entrance to the painting gallery. As such, they may have served as a trompe l’oeil expansion of the real space, whose floor they probably reproduce. Th

Still Life with Vase of Flowers and a Dog
Oil on canvas. Ca. 1625
Hamen y León, Juan Van Der
Still Life with Vase of Flowers and a Dog
Oil on canvas. Ca. 1625
Hamen y León, Juan Van Der

This work and its companion (P4158) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in De Croy’s Madrid palace, where they flanked the entrance to the painting gallery. As such, they may have served as a trompe l’oeil expansion of the real space, whose floor they probably reproduce. Th

The Death of the Virgin
Oil on panel. 1546 - 1550
Correa de Vivar, Juan
The Death of the Virgin
Oil on panel. 1546 - 1550
Correa de Vivar, Juan

Surrounded by the apostles, Mary lies on her deathbed. Dressed as a priest, Saint Peter gives her a lit candle, while Saint John and another apostle read the Holy Scriptures beside her. The scene of the Assumption is visible through the open window. Maintaining certain elements of the work of his teacher, Juan de Borgoña, such as the human types and the palette; in this work Correa reveals

Chandelier
Hard-paste. Ca. 1765
Chelsea Porcelain Manufactory
Chandelier
Hard-paste. Ca. 1765
Chelsea Porcelain Manufactory

Este candelero y su parejea (O279) pertenecen, probablemente, a la cuarta etapa de produción de la Fábrica de porcelana de Chelsea, ya que todo indica a que es una obra de hacia 1765. Ambos están realizados de pasta tierna barnizada y policromada en azul, verdes esmeralda, turquesa, rojo ladrillo, malva, violeta y oro. Son una pareja de pastor y pastora cada uno sentado ante un arbusto florido, af

Chandelier
Hard-paste. Ca. 1765
Chelsea Porcelain Manufactory
Chandelier
Hard-paste. Ca. 1765
Chelsea Porcelain Manufactory

Este candelero y su parejea (O278) pertenecen, probablemente, a la cuarta etapa de produción de la Fábrica de porcelana de Chelsea ya que todo indica a que es una obra de hacia 1765. Ambos están realizados de pasta tierna barnizada y policromada en azul, verdes esmeralda, turquesa, rojo ladrillo, malva, violeta y oro. Son una pareja de pastor y pastora cada uno sentado ante un arbusto florido, afr

Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous
Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous

A vessel made up of three pieces of rock crystal and three enamelled gold mounts. The body is formed by a boat-shaped piece with a figurehead on the prow consisting of a mask with pointed ears and ram’s horns. It is entirely decorated with painted enamel in warm tones with touches of blue. The rock crystal is decorated with some vegetable clusters on the foot and afterdeck, and garlands with fruit

Flask with tracery and a head of Medusa in gold
Gold, Diamond, Omphacite. S XVI - XVII century
Miseroni, Giovanni Ambrogio; Anonymous
Flask with tracery and a head of Medusa in gold
Gold, Diamond, Omphacite. S XVI - XVII century
Miseroni, Giovanni Ambrogio; Anonymous

An ovate vessel in the form of an urn. It has a smooth pyriform body with a double moulding on the shoulder, a neck with a concave profile, and a round mouth. The moulded cover has the form of a cupola, while the short bell-shaped stem ends in a round foot with the same diameter as the mouth. The stone, cracked since ancient times, is held by a mount of pierced and chased gold forming a net, with

Vase in the shape of a dragon or caquesseitão
Rock crystal / hyaline quartz. 1550 - 1600
Workshop Of The Miseroni
Vase in the shape of a dragon or caquesseitão
Rock crystal / hyaline quartz. 1550 - 1600
Workshop Of The Miseroni

This fabulous animal is made of three pieces of rock crystal. The top piece is a horned head with monstrous features resting on a long arched neck similar to that of a swan. It is set into a pear-shaped body with a cuirass-like front worked with scrolls and rows imitating precious stones. It also has short wings emerging from spirals and similar to those of bats. Its flexed and webbed feet are cut

Large jade and silver gilt vessel with cover
Nephrite, Silver gilt. XVII century
Anonymous
Large jade and silver gilt vessel with cover
Nephrite, Silver gilt. XVII century
Anonymous

Vessel with a tall foot formed by a silver gilt mount and a body consisting of a shallow oval bowl of greyish jade (nephrite), with a diminished arch profile. Running around the lip is a broad mount with a border of inclined egg motifs which raises the smaller cover, a second piece of jade crowned with a three-leafed silver gilt bud. It rests on a silver tripod structure with four S-shaped scrolls

Foot and stem fittings of a glass with several missing figures
Gold, Epoxy, Enamel. 1675 - 1700
Anonymous
Foot and stem fittings of a glass with several missing figures
Gold, Epoxy, Enamel. 1675 - 1700
Anonymous

According to Laurent’s photographs, the vessel, a high cup made in about 1530-40, consisted of four pieces and four enamelled gold mounts, of which two remain. On the cover, among leaves, spirals and masks, there were three statuettes in white enamel of semi-nude women raising their left arms. Above, a half-length satyr with a Baroque (i.e. irregular) pearl on his breast held the women’s arms with

Two-spouted vase with the bust of a woman
Gold, Rock crystal / hyaline quartz. 1550 - 1575
Workshop Of The Sarachi (?)
Two-spouted vase with the bust of a woman
Gold, Rock crystal / hyaline quartz. 1550 - 1575
Workshop Of The Sarachi (?)

A vessel with a hemispherical body that closes to form a narrower round mouth with an unadorned gold mount surrounded by concave double gadroons, and with two lips on the ends formed by feline masks with veils and bats’ wings. The cover, with a similar mount, also presents a decoration of helicoidal gadroons and a finial, which may be an addition, consisting of a female bust with a diadem, chain m

Footed heliotrope cup in the form of a duck
Gold, Bloodstone, Enamel. 1590 - 1620
Workshop Of The Sarachi (?)
Footed heliotrope cup in the form of a duck
Gold, Bloodstone, Enamel. 1590 - 1620
Workshop Of The Sarachi (?)

Vessel made up of four pieces of heliotrope and five gold mounts enamelled in opaque sky blue, turquoise, white and black, and translucent green. The irregular body has the form of a scallop shell, with marked gadroons and incisions parallel to the lip, and crudely carved ovals around the rim. On the sides are two small monolithic handles surmounted by enamelled gold mounts representing the heads

Small urn in faceted rock crystal
Rock crystal / hyaline quartz. XIII century
Metellino, Giovanni Battista (Workshop Of); Anonymous (?)
Small urn in faceted rock crystal
Rock crystal / hyaline quartz. XIII century
Metellino, Giovanni Battista (Workshop Of); Anonymous (?)

A vessel cut in a single piece with no mounts, with a high foot in the form of a truncated cone, a bulbous bowl, an everted neck and a cover with a basket-handle arch profile surmounted by an acorn. The facets with sharply edged arrises are characteristic of mediaeval European work, as are the thick sides and the extreme simplicity of the forms. Arbeteta proposes two possibilities for this piece.

Citrine quartz vase in the shape of an oil lamp
Gold, Citrine, Cuarzo ahumado, Enamel. 1600 - 1630
Miseroni, Ottavio (?); Miseroni, Dionisio (?); Workshop Of The Miseroni
Citrine quartz vase in the shape of an oil lamp
Gold, Citrine, Cuarzo ahumado, Enamel. 1600 - 1630
Miseroni, Ottavio (?); Miseroni, Dionisio (?); Workshop Of The Miseroni

This vessel, described as a “velón” or oil lamp in the 1746 inventory of La Granja de San Ildefonso, is one of the few pieces in the Dauphin’s Treasure in their original state. It is made up of three pieces of citrine quartz and one, the finial, of smoky quartz, linked by five mounts and two gold handles in black enamel. On the egg-shaped body are four protrusions. Inserted on the smaller t

Small jade and silver-gilt brazier with two masks
Nephrite, Silver gilt. S XVI - XVII century
Anonymous
Small jade and silver-gilt brazier with two masks
Nephrite, Silver gilt. S XVI - XVII century
Anonymous

This small brazier, already cited in the 1689 Versailles inventory, follows the French classical taste propitiated by Le Brun, Maison, Bérain and others. The vessel is made up of seven pieces of jade and silver gilt mounts. The body consists of a large piece of jade on a tripod foot formed by three dogs’ paws with six hanging festoons, ribbons, and a low gadrooned receptacle ending in a rin

Agate urn with masks
Gold, Agate, Ruby, Diamond, Enamel. 1550 - 1600
Miseroni, Gasparo (?)
Agate urn with masks
Gold, Agate, Ruby, Diamond, Enamel. 1550 - 1600
Miseroni, Gasparo (?)

The vessel is a flask in the form of an antique urn made up of three pieces of agate and two gold mounts with diamonds and rubies. The handles, two monolithic volutes, emerge from two bearded masks, possibly representations of Silenus, and come to rest near the lip of the vessel. The lid has a lion’s head with a gold and ruby incrustation between its jaws. The round foot, possibly later, is joined

Jade vessel in the form of a mask on four dolphins
Nephrite, Silver gilt. Ca. 1600
Workshop Of The Miseroni; Miseroni, Ottavio; Debourg, Michel
Jade vessel in the form of a mask on four dolphins
Nephrite, Silver gilt. Ca. 1600
Workshop Of The Miseroni; Miseroni, Ottavio; Debourg, Michel

Vessel consisting of a piece of green nephrite carved in the form of an oil lamp. It repreents a fantastic mask with a wide open mouth, its eyebrows formed by leaves emerging from a double stalk that forms the handle. The round eyes, short nose and long moustaches frame gaping jaws with a rising protuberance visible inside. It rests on a base of silver gilt with friezes of acanthus leaves and gadr

Rock crystal boat with a dragon, two fantastical creatures and wheels
Gold, Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Enamel. Ca. 1610
Workshop Of The Miseroni (?)
Rock crystal boat with a dragon, two fantastical creatures and wheels
Gold, Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Enamel. Ca. 1610
Workshop Of The Miseroni (?)

A boat or “gondola” made up of various crystal pieces joined with mounts. The body is decorated with foliate spirals, ribbons and clusters of fruit, with a reserve on the prow where a candeliere with a termination is engraved. On the stern are two membranous wings from which the decoration emerges, with details like dolphins and two mermaids on the lower part. Rising above this body is the housing

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