The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
15 results
Three Nymphs with the Horn of Plety
Oil on canvas. 1615 - 1617
Rubens, Peter Paul; Snyders, Frans
Three Nymphs with the Horn of Plety
Oil on canvas. 1615 - 1617
Rubens, Peter Paul; Snyders, Frans

Goddess of grains and the harvest, Ceres holds some corn cobs in her right hand while, with the left, she holds a horn of plenty. Two nymphs fill the cornucopia with fruits, symbolizing the Earth´s ge [+]

Christ falls on the Way to Calvary
Oil on panel transferred to canvas. 1515 - 1516
Raphael (Raffaello Sanzio) (And Workshop)
Christ falls on the Way to Calvary
Oil on panel transferred to canvas. 1515 - 1516
Raphael (Raffaello Sanzio) (And Workshop)

Jacopo Basilio commissioned this painting for the Monastery of Santa Maria dello Spasimo in Palermo, from which it derives its popular name, lo Spasimo di Sicilia (“The Wonder of Sicily”), which refle [+]

Saint Veronica
Oil on canvas. 1620 - 1625
Strozzi, Bernardo
Saint Veronica
Oil on canvas. 1620 - 1625
Strozzi, Bernardo

Bernardo Strozzi was one of Genoa´s most outstanding early Baroque artists, and his work exemplifies the qualities and evolution of painting in the Ligurian capital. Moreover, his practice forged a br [+]

Triptych of the Pietà, St John and St Mary Magdalene
Oil on panel. Ca. 1570
Morales, Luis de (And Workshop)
Triptych of the Pietà, St John and St Mary Magdalene
Oil on panel. Ca. 1570
Morales, Luis de (And Workshop)

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

The Muse Calliope
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Calliope
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Clío
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Clío
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Ariadne sleeping
White marble. 150 - 175
Roman Sculptor
Ariadne sleeping
White marble. 150 - 175
Roman Sculptor

En la pintura de Velázquez que representa una vista del jardín de la Villa Medici en Roma (P1211) se identifica en una logia la estatua de una figura yacente apenas esbozada por el artista. De la figu [+]

Young Roman, formerly identified as Domitian
White marble. Ca. 100
Roman Sculptor
Young Roman, formerly identified as Domitian
White marble. Ca. 100
Roman Sculptor

The refined features of this distinguished young man recall those of the Emperor Nerva (96-98 AD) and his hairstyle reflects that of the previous Emperor, Domitian (81-96 AD). But this head also has s [+]

The Muse Polyhymnia
White marble. 150 - 175
Roman Sculptor
The Muse Polyhymnia
White marble. 150 - 175
Roman Sculptor

The upper part is a Roman copy of a late Hellenistic original (100-50 B. C.). It shows Polyhymnia, the muse of sacred poetry and dance, placing her cloak over her left shoulder. Another copy in the V [+]

Herm
White marble. First half of the I century
Roman Sculptor
Herm
White marble. First half of the I century
Roman Sculptor

Roman copy of a herm dating from between 425 and 420 B. C. It was the tyrant Hipparchus of Athens who ordered the construction, circa 520 B. C. of the first hermae of this type, milestones topped with [+]

Roman Patrician, formerly known as Nero
White marble. 65 - 70
Roman Sculptor
Roman Patrician, formerly known as Nero
White marble. 65 - 70
Roman Sculptor

This youth, with his distinctive features, has a hairstyle introduced under Nero (54-68 AD). The Emperor’s undulating locks scandalised the upper classes in Rome at the time but were highly appreciate [+]

Dance in honour of Dionysus
White marble. 50 A.C. - 30 a.C.
Hellenistic Workshop
Dance in honour of Dionysus
White marble. 50 A.C. - 30 a.C.
Hellenistic Workshop

Silenus, satyrs and Maenads accompanied Dionysus from his mythical childhood. Their dance was performed at all the satirical plays of Athens and repeated in the Dionysian cults. The drum and the doubl [+]

Roman soldier, formerly identified as Otho
White marble. 105 - 115
Roman Sculptor
Roman soldier, formerly identified as Otho
White marble. 105 - 115
Roman Sculptor

The sitter is a young man with a robust face, a thick, clipped beard and curly hair typical of the Trajanic period. He wears a lunula: an amulet in the form of a crescent moon that protected him again [+]

Aphrodite of Cnidus
White marble. 120 - 130
Roman Sculptor
Aphrodite of Cnidus
White marble. 120 - 130
Roman Sculptor

The Roman copy of Praxiteles’s most famous work was made circa 350 B. C. for the sanctuary of the goddess in Cnidus (Asia Minor). As the first female monumental nude in the history of art, in Antiquit [+]

Young orator
White marble. First quarter of the I century
Roman Sculptor
Young orator
White marble. First quarter of the I century
Roman Sculptor

This Roman copy of a late Hellenistic eclectic sculpture (c. 100 B. C.) is based on several models: the body on the Narcissus of the School of Polyclitus (c. 400 B. C.) and the head on that of the Are [+]

Up