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The anonymous artist of the six panels (P-705–P710) dedicated to John the Baptist that come from the charterhouse in Burgos is known as the Maestro de Miraflores. The paintings are characterised by si [+]
This altar frontal is divided into two levels separated by arches enclosing the Adoration of the Magi, above, and the Presentation in the Temple, below. Both the structure and composition are unusual [+]
Two young women spin at their wheels in the workshop of a tapestry factory, recalling Velasquez´s Tapestry Weavers (P01173). Goya interprets the scene as an allegory of Industry, in which young [+]
It is not known when or how these two paintings -Saint Juan de Ribera and Saint John the Baptist (P950)- came to be the property of Luisa Enríquez, but their common provenance has never been se [+]
The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]
This scene is from the predella of an altarpiece dedicated to Saint Anthony Abbot, the founder of the eremitic movement. Its technical and formal characteristics suggest a dating close to that of The [+]
An allegorical image that alludes to the City Government of Madrid´s gift of the mansion called the “Queen´s Casino” to Queen Isabel de Braganza on the occasion of her wedding to King Fernando VII (17 [+]
This is the central panel of the main altarpiece in the church of Santa María in Tobed (Zaragoza). During his exile in Aragon, Henry of Trastamara (illegitimate son of Alfonso XI of Castile) wh [+]
This panel is from the altarpiece of Saint Andrew, which Joan Bastida commissioned for that saint’s chapel in Barcelona Cathedral. By locating the gilded idol on a complex structure in the centre, the [+]
Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]
This is the central panel of an altar piece commissioned by Luis de la Cerda, Duke of Medinaceli, for the Saint Catherine, or Arce, chapel in Siguenza Cathedral, part of which is preserved in the sacr [+]
This must have been the central panel of an altarpiece dedicated to Saint Anthony Abbot. He is shown with his attribute of a pig. The flames at his feet allude to the illness known as "Saint Anthony´s [+]
Christ returned to life, triumphant alongside the sarcophagus that held his body for three days after his death on Golgotha, was a frequent subject in Correa´s work. The retable for the convent of the [+]
These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]
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The Virgin with the Pomegranate is an exceptional work painted during one of the key periods in the history of art, in Florence, cradle of the Renaissance, in the first quarter of the fifteenth centur [+]
These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]
The panel’s small size, making it particularly suitable for private devotion, reflects the growth of the cult of the Virgin. A typical feature of Tuscan art of this date is the use of inscriptions suc [+]
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