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The Visitation
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Visitation
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The anonymous artist of the six panels (P-705–P710) dedicated to John the Baptist that come from the charterhouse in Burgos is known as the Maestro de Miraflores. The paintings are characterised by si [+]

Altar frontal with Scenes from the Childhood of Christ
Tempera on panel. First third of the XIII century
Anonymous
Altar frontal with Scenes from the Childhood of Christ
Tempera on panel. First third of the XIII century
Anonymous

This altar frontal is divided into two levels separated by arches enclosing the Adoration of the Magi, above, and the Presentation in the Temple, below. Both the structure and composition are unusual [+]

Industry
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Industry
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two young women spin at their wheels in the workshop of a tapestry factory, recalling Velasquez´s Tapestry Weavers (P01173). Goya interprets the scene as an allegory of Industry, in which young [+]

Saint Juan de Ribera
Oil, Tempera on panel. Ca. 1566
Morales, Luis de
Saint Juan de Ribera
Oil, Tempera on panel. Ca. 1566
Morales, Luis de

It is not known when or how these two paintings -Saint Juan de Ribera and Saint John the Baptist (P950)- came to be the property of Luisa Enríquez, but their common provenance has never been se [+]

The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]

The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra
The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra

This scene is from the predella of an altarpiece dedicated to Saint Anthony Abbot, the founder of the eremitic movement. Its technical and formal characteristics suggest a dating close to that of The [+]

Allegory of the Donation of the Casino to Queen Maria Isabel of Braganza by the Municipality of Madrid
Tempera on canvas. 1818
López Portaña, Vicente
Allegory of the Donation of the Casino to Queen Maria Isabel of Braganza by the Municipality of Madrid
Tempera on canvas. 1818
López Portaña, Vicente

An allegorical image that alludes to the City Government of Madrid´s gift of the mansion called the “Queen´s Casino” to Queen Isabel de Braganza on the occasion of her wedding to King Fernando VII (17 [+]

The Virgin of Tobed with the Donors Henry II of Castile, his Wife Juana Manuel, and two of their Children, Juan and Juana (?)
Tempera on panel. 1359 - 1362
Serra, Jaume
The Virgin of Tobed with the Donors Henry II of Castile, his Wife Juana Manuel, and two of their Children, Juan and Juana (?)
Tempera on panel. 1359 - 1362
Serra, Jaume

This is the central panel of the main altarpiece in the church of Santa María in Tobed (Zaragoza). During his exile in Aragon, Henry of Trastamara (illegitimate son of Alfonso XI of Castile) wh [+]

Saint Andrew refusing to worship the Idol
Tempera on poplar panel. 1400 - 1405
Borrassà, Luis
Saint Andrew refusing to worship the Idol
Tempera on poplar panel. 1400 - 1405
Borrassà, Luis

This panel is from the altarpiece of Saint Andrew, which Joan Bastida commissioned for that saint’s chapel in Barcelona Cathedral. By locating the gilded idol on a complex structure in the centre, the [+]

Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]

Retable of Saints John the Baptist and Catherine
Tempera on panel. 1425 - 1450
Sevilla, Juan de
Retable of Saints John the Baptist and Catherine
Tempera on panel. 1425 - 1450
Sevilla, Juan de

This is the central panel of an altar piece commissioned by Luis de la Cerda, Duke of Medinaceli, for the Saint Catherine, or Arce, chapel in Siguenza Cathedral, part of which is preserved in the sacr [+]

Saint Anthony Abbot
Tempera on panel. 1450 - 1460
Reixach, Joan
Saint Anthony Abbot
Tempera on panel. 1450 - 1460
Reixach, Joan

This must have been the central panel of an altarpiece dedicated to Saint Anthony Abbot. He is shown with his attribute of a pig. The flames at his feet allude to the illness known as "Saint Anthony´s [+]

The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan
The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan

Christ returned to life, triumphant alongside the sarcophagus that held his body for three days after his death on Golgotha, was a frequent subject in Correa´s work. The retable for the convent of the [+]

The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous
The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

Saint Luke
Tempera on panel. 1401 - 1435
Sevilla, Juan de
Saint Luke
Tempera on panel. 1401 - 1435
Sevilla, Juan de

[+]

The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra
The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra

The Virgin with the Pomegranate is an exceptional work painted during one of the key periods in the history of art, in Florence, cradle of the Renaissance, in the first quarter of the fifteenth centur [+]

The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous
The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

The Virgin and Child
Tempera, Gilded on panel. Ca. 1345
Traini, Francesco
The Virgin and Child
Tempera, Gilded on panel. Ca. 1345
Traini, Francesco

The panel’s small size, making it particularly suitable for private devotion, reflects the growth of the cult of the Virgin. A typical feature of Tuscan art of this date is the use of inscriptions suc [+]

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