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The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous
The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous
The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

Altar frontal with Scenes from the Childhood of Christ
Tempera on panel. First third of the XIII century
Anonymous
Altar frontal with Scenes from the Childhood of Christ
Tempera on panel. First third of the XIII century
Anonymous

This altar frontal is divided into two levels separated by arches enclosing the Adoration of the Magi, above, and the Presentation in the Temple, below. Both the structure and composition are unusual [+]

Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous
Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous

This small altarpiece, divided into three horizontal and three vertical rows, is dedicated to Saint Christopher, who protects against sudden death. His image occupies the central row, which is topped [+]

The Guils Frontal
Tempera on panel. Late XIII century
Anonymous
The Guils Frontal
Tempera on panel. Late XIII century
Anonymous

At the centre, the Pantocrator (Christ in majesty) is shown in a mandorla surrounded by the Tetramorph, the symbols of the four Evangelists. At either side, the upper register shows scenes from the li [+]

The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

Presentation of the Virgin in the Temple
Pencil ground, Grey-brown ink, White lead, Wash on brown paper. XVII century
Anonymous
Presentation of the Virgin in the Temple
Pencil ground, Grey-brown ink, White lead, Wash on brown paper. XVII century
Anonymous

The composition es loosely based on Titian´s painting in the Accademia, Venice, executed in 1534-8 for the Sala dell´Albergo of the Scuola Grande di Santa Maria della Carità, Venice, and still [+]

The Presentation in the Temple
Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Presentation in the Temple
Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The drawing was formerly placed in the collection under the name of Sandro Botticelli (1444/5-1510), following the traditional identification. The style is however surely Marchigian, not Florentine, a [+]

Christ Disputing with the Doctors in the Temple and Separate Studies of a Head and of a Figure
Pencil ground, Grey-brown ink, Wash on yellow paper. XVII century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Christ Disputing with the Doctors in the Temple and Separate Studies of a Head and of a Figure
Pencil ground, Grey-brown ink, Wash on yellow paper. XVII century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

As Scavizzi rightly pointed out in a note on the modern museum mount, the principal composition is derived from Parmigianino. From the style of the copy, as well as that of the separate studies to the [+]

The Vestal Virgin Tuccia
Marble. Early Finales del siglo XVII - XVIII century
Anonymous
The Vestal Virgin Tuccia
Marble. Early Finales del siglo XVII - XVIII century
Anonymous

Tuccia was one of the virgins at the temple of Vesta, goddess of fire. Accused of adultery, she proved her innocence by carrying water in a sieve without spilling a drop. This marble head is closely b [+]

Portrait of the Writer, Xenophon
White marble. II century
Anonymous
Portrait of the Writer, Xenophon
White marble. II century
Anonymous

This portrait of the writer Xenophon (430-354 b.c.e.), who was a disciple of Socrates in Athens and later commanded an army serving the Persians and Spartans, was not identified until 1949, when a her [+]

Frieze with Two Riders Racing
Terracotta. 500 A.C. - 475 a.C.
Anonymous
Frieze with Two Riders Racing
Terracotta. 500 A.C. - 475 a.C.
Anonymous

Panel from an Italian-Etruscan temple. This piece would have covered the temple’s horizontal wooden wall. As many as one hundred identical reliefs have been found at some locations in Etruria, where t [+]

Fan with ivory ribs
Ivory. XVIII century
Anonymous
Fan with ivory ribs
Ivory. XVIII century
Anonymous

This fan has inlaid ivory ribs with Chinese motifs and some gold touches with paint at the bottom; the guides are also made of ivory with pebble-like painted motifs. The paper leaf is decorated with p [+]

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