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Still Life with Breams, Oranges, Garlic, Seasoning and Kitchen Utensils
Oil on canvas. 1772
Meléndez, Luis Egidio
Still Life with Breams, Oranges, Garlic, Seasoning and Kitchen Utensils
Oil on canvas. 1772
Meléndez, Luis Egidio

Two splendid sea breams play the leading role here. They are surrounded by lesser motifs, including oranges, a kitchen towel, a head of garlic, and packet of what is probably spice, two terracotta bow [+]

Kitchen Still Life
Oil on canvas. 1637 - 1642
Master S. B.
Kitchen Still Life
Oil on canvas. 1637 - 1642
Master S. B.

This splendid painting, which came from the Buen Retiro Palace, Madrid (where it was cited in a 1794 inventory), was until recently attributed to Giovanni Battista Ruoppolo (1626-1693), based on the h [+]

Still Life with Fish and Turtle
Oil on canvas. Ca. 1680
Recco, Giuseppe
Still Life with Fish and Turtle
Oil on canvas. Ca. 1680
Recco, Giuseppe

Giuseppe Recco, a member of one of the most famous families of Neapolitan still-life painters in the seventeenth century, was born in Naples on 12 July 1634. His vast output was consistently high in q [+]

Self-portrait
Oil on canvas. 1892
Pla y Gallardo, Cecilio
Self-portrait
Oil on canvas. 1892
Pla y Gallardo, Cecilio

Depicting himself without the tools of his profession, Pla is accompanied by portraits of his aunt and his mother and a terracotta bust of his father. These family images imply a homage to his parents [+]

The Adoration of the Shepherds
Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Late XVI century
Balducci, Giovanni
The Adoration of the Shepherds
Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Late XVI century
Balducci, Giovanni

This attractive compositional study is typical of Balducci´s style of drawing from the 1580s, the period of the artist´s early maturity. The pictorial effect is enhanced by the hot, brick-red ground, [+]

Adam Sleeping
Terracotta. 1882
Samsó, Juan
Adam Sleeping
Terracotta. 1882
Samsó, Juan

This work, signed on April 14, 1882, is clearly related to classical sculpture and its interpretation in the Faun that Sergel made in Rome (Nationalmuseum, Stockholm). This is especially visible in th [+]

Nude Girl (from The Onset of Winter)
Carrara marble. 1892
Blay y Fábrega, Miguel
Nude Girl (from The Onset of Winter)
Carrara marble. 1892
Blay y Fábrega, Miguel

Blay customarily made versions of fragments of his works, which he handled separately. This sculpture at the Museo del Prado is a fragment from the group titled The Onset of Winter. During his stay in [+]

To the Ideal
Plaster. 1896
Blay y Fábrega, Miguel
To the Ideal
Plaster. 1896
Blay y Fábrega, Miguel

Blay made this extremely delicate and highly idealized sculptural group to show that he was capable of creating works outside of the strictures of realism. As he put it: “I plan to call it White Souls [+]

Frieze with Two Riders Racing
Terracotta. 500 A.C. - 475 a.C.
Anonymous
Frieze with Two Riders Racing
Terracotta. 500 A.C. - 475 a.C.
Anonymous

Panel from an Italian-Etruscan temple. This piece would have covered the temple’s horizontal wooden wall. As many as one hundred identical reliefs have been found at some locations in Etruria, where t [+]

Maria of Hungary
Bronze. 1553 - 1564
Leoni, Leone; Leoni, Pompeo
Maria of Hungary
Bronze. 1553 - 1564
Leoni, Leone; Leoni, Pompeo

Together with her brother Charles V, Mary of Hungary (1505–1558) was Leone Leoni’s most important patron at the imperial court. Leoni and Mary, governor of the Low Countries, met on three occasions: i [+]

The Blessed Raimundo Lulio
Terracotta. 1895
Samsó, Juan
The Blessed Raimundo Lulio
Terracotta. 1895
Samsó, Juan

[+]

Pietà
Terracotta. 1882
Samsó, Juan
Pietà
Terracotta. 1882
Samsó, Juan

[+]

Bust of Mariano Fortuny
Terracotta. 1869
D'épinay, Prosper
Bust of Mariano Fortuny
Terracotta. 1869
D'épinay, Prosper

The sculptor and caricature artist Prosper d’Épinay was a close friend of Fortuny’s and they made portraits of each other. Modelled in Rome, this bust is one of the only two portrait sculptures [+]

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