The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
9 results
Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous
Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous

The former attribution to Parmigianino (1503-1540) is untenable. The style suggest knowledge of the work of both Pellegrino Tibaldi (1527-1596) and Samacchini (1532-1577). [+]

Woman at a Window, Pouring Water from a Jug onto the Head of a Bearded Elder, Who Holds an Open Book in Both Hands, which a Young Woman Tries to Seize
Graphite on paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)
Woman at a Window, Pouring Water from a Jug onto the Head of a Bearded Elder, Who Holds an Open Book in Both Hands, which a Young Woman Tries to Seize
Graphite on paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)

The subject of this drawing remains to be identified, and the handling appears to be early nineteenth century. In a note on the matte dated 1990, Catherine Monbeig Goguel has suggested an alternative [+]

Mystic Marriage of St. Catherine
Pencil, Pencil ground, Grey ink on paper. Second half of the XVI century
Anonymous
Mystic Marriage of St. Catherine
Pencil, Pencil ground, Grey ink on paper. Second half of the XVI century
Anonymous

As Sylvie Béguin pointed out in a note on the modern museum matte (1980), this is a copy of the painting in the Pinacoteca Nazionale, Bologna, once given to Pellegrino Tibaldi (1527-1596) and n [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)

Traditionally placed as after Pellegrino Tibaldi, whose frescoes of The Stories of Christ´s Passion painted in 1587-90 in the Escorial are similar in format to the composition of this drawing. [+]

Martyrdom of St. Laurence
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Martyrdom of St. Laurence
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

The composition resembles in reverse the lower half of Cambiaso´s great altarpiece in the monastery of San Lorenzo, El Escorial (now Sala de Capas), painted in Genoa and dispatched in 1581, two years [+]

St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia
St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia

Carderera probably accepted the old attribution to the Pellegrino Tibaldi (1527-1596), who had spent almost a decade in Spain at the end of his life, mostly working at El Escorial, and was an importan [+]

Christ before Pilate
Pencil, Red chalk, White lead on grey paper. Mid-XVIcentury
Siciolante Da Sermoneta, Girolamo
Christ before Pilate
Pencil, Red chalk, White lead on grey paper. Mid-XVIcentury
Siciolante Da Sermoneta, Girolamo

The old attribution to the Mannerist painter Pellegrino Tibaldi (1527-1596) may have been suggested by the handling, with its extensive passages of white heightening, as well as the Michelangelesque f [+]

Head of a figure
Pencil, Grey-brown ink on blue paper. 1560 - 1570
Passerotti, Bartolomeo
Head of a figure
Pencil, Grey-brown ink on blue paper. 1560 - 1570
Passerotti, Bartolomeo

Collectors and connoisseurs have long admired the powerfully executed, often large-scale drawings by Bartolomeo Passarotti. His finished pen studies, such as Head of a figure (Testa di una figura), 15 [+]

Saint Michael
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Sabbatini, Lorenzo (Attributed To)
Saint Michael
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Sabbatini, Lorenzo (Attributed To)

The present study is clearly strongly influenced in style by the work of the Bolognese painter Pellegrino Tibaldi (1527-1596). Mario di Giampaolo was the first to suggest the attibution to Sabbatini, [+]

Up