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The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Giandomenico Tiepolo was the elder of Giambattista’s two artist sons, and his closest collaborator. While training with his father prepared him to assist with his mural decorations, Giandomenico also established himself as an independent painter, with his own commissions. In 1762 he accompanied his father to Spain, where the latter had been commissioned to paint a fresco on the dome of the Throne

The Venetian Charlatan
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico
The Venetian Charlatan
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico

These two paintings (P7804 and P7805) are part of a series on similar subjects, yet they stand out among Giandomenico`s work. These works are small depictions of everyday life in Venice, exquisitely rendered with a very agile touch that reflects the technical skills Giandomenico learnt from his father. This genre work is infrequent in Giandomenico`s oeuvre. In Spain the only known works of this so

Maskers at the Mondo Nuovo
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico
Maskers at the Mondo Nuovo
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico

These two paintings (P7804 and P7805) are part of a series on similar subjects, yet they stand out among Giandomenico`s work. These works are small depictions of everyday life in Venice, exquisitely rendered with a very agile touch that reflects the technical skills Giandomenico learnt from his father. This genre work is infrequent in Giandomenico`s oeuvre. In Spain the only known works of this so

The Agony in the Garden
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Agony in the Garden
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The Agony in the Garden, painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri de Madrid, is one scene in a series of eight depicting the Stations of the Cross. The series would have decorated the church´s aisles, the usual location for representations of scenes from Christ´s Passion, with a painting or sculpture of the Cruci

Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico
Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico

This drawing is one of a series by Giandomenico Tiepolo dedicated to centaurs, fauns and other mythological creatures. The series is one of the most original creations by Giandomenico, son of Giambattista and brother of Lorenzo, both of whom also have works in Italian Masterpieces from Spain’s Royal Court, Museo del Prado. Numerous drawings from this series have survived in museums and collections

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