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Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Four Saints
Pencil, Grey ink, Grey-brown ink, White lead, Wash on dark yellow paper. Early Finales del siglo XVI - XVII century
Schiaminosi, Rafaello (Attributed To)
Four Saints
Pencil, Grey ink, Grey-brown ink, White lead, Wash on dark yellow paper. Early Finales del siglo XVI - XVII century
Schiaminosi, Rafaello (Attributed To)

Schiaminossi was a Tuscan engraver and painter and a follower of Raphael (1483-1520) and the Sienese Ventura Salimbeni (1568-before of 1613). The style of this drawing seems however to be Roman, from [+]

All will fall
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
All will fall
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous
Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous

The former attribution to Parmigianino (1503-1540) is untenable. The style suggest knowledge of the work of both Pellegrino Tibaldi (1527-1596) and Samacchini (1532-1577). [+]

Tantalo
Pencil, Pencil, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Tantalo
Pencil, Pencil, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Poor little things!
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Poor little things!
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Death of the Virgin
Black chalk, Pencil, Grey ink, Grey wash, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado
The Death of the Virgin
Black chalk, Pencil, Grey ink, Grey wash, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado

En el centro de la composición, la Virgen dormida sobre el lecho; a su alrededor, los Apóstoles en actitudes varias; en primer término, una joven arrodillada; en la parte superior, la figura de Dios P [+]

Seated woman with a nude child
Pencil, Grey ink on paper. 1701 - 1800
Anonymous
Seated woman with a nude child
Pencil, Grey ink on paper. 1701 - 1800
Anonymous

The drawing seems to be an eighteenth-century pastiche of a mid-sixteenth-century prototype, which may possibly be Emilian. [+]

Those specks of dusts
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Those specks of dusts
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Agony in the Garden
Black chalk, Pencil, Grey wash, Grey-brown ink on dark yellow paper. XVII century
Anonymous
The Agony in the Garden
Black chalk, Pencil, Grey wash, Grey-brown ink on dark yellow paper. XVII century
Anonymous

La composición, terminada en una forma mixtilínea, representa en primer término, Jesucristo arrodillado se apoya en unas rocas; a su izquierda un ángel volando, le ofrece el cáliz. (Texto extractado d [+]

Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous (Follower Of Romano, Giulio (Giovanni Francesco Penni))
Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous (Follower Of Romano, Giulio (Giovanni Francesco Penni))

The central figures of the composition raise the banner with the shield of Pope Clement VII (Giulio de Médicis). The execution is loose and the drawing is evidently the work of a follower. It i [+]

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