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Landscape with the Temptations of Saint Anthony
Oil on canvas. Ca. 1638
Claude (Lorrain, Byname Of Claude Gellée)
Landscape with the Temptations of Saint Anthony
Oil on canvas. Ca. 1638
Claude (Lorrain, Byname Of Claude Gellée)

The saint is depicted among ruins, imploring God to protect him from some small devils who disturb his spiritual retreat. The most striking element in the composition is its sophisticated lighting, wh [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous
Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous

This is a mediocre copy of Raphael´s famous altarpiece now in the Pinacoteca Vaticana, Rome, which the artist began in 1519 and which was left unfinished at his death. [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

Jupiter and Semele
Pencil, Pencil ground, Grey-brown ink, Blue wash on paper. XVI century
Anonymous
Jupiter and Semele
Pencil, Pencil ground, Grey-brown ink, Blue wash on paper. XVI century
Anonymous

[+]

Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous
Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous

As a Pouncey observed (note on the mount), this is a copy after Camillo Procaccini. [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous
Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous

The composition by Polidoro da Caravaggio is known from a number of drawn copies (Ravelli, 1978, pp. 224-225, nos. 273-277). Like the subject of the following drawing, Moses Closing the Waters of the [+]

Three Figures from a Composition of The Gathering of the Manna
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
Anonymous
Three Figures from a Composition of The Gathering of the Manna
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
Anonymous

The figures of a woman with a basket on her head, a young man with a large amphora and a youth holding a basket to his side are found on the left of a composition by Polidoro da Caravaggio of The Gath [+]

Parable of the wise and foolish virgins
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
India, Bernardino (Attributed To)
Parable of the wise and foolish virgins
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
India, Bernardino (Attributed To)

The drawing carries an old attribution to Poccetti (1548-1612). There is much in the delicate rendering of the figures, especially in their facial type and coiffure , to suggest the hand of Bernardino [+]

Saint Andrew
Pencil ground, Ink, Blue wash on dark yellow paper. XVII century
Anonymous
Saint Andrew
Pencil ground, Ink, Blue wash on dark yellow paper. XVII century
Anonymous

Copia de una estampa de Golzio, bien conocida y copiada infinidad de veces.En el reverso encontramos una serie de apuntes de desnudos.Es probable que, como dice la anotación, sea obra madrileña. No fi [+]

Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de
Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

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