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Landscape with the Temptations of Saint Anthony
Oil on canvas. Ca. 1638
Claude (Lorrain, Byname Of Claude Gellée)
Landscape with the Temptations of Saint Anthony
Oil on canvas. Ca. 1638
Claude (Lorrain, Byname Of Claude Gellée)

The saint is depicted among ruins, imploring God to protect him from some small devils who disturb his spiritual retreat. The most striking element in the composition is its sophisticated lighting, wh [+]

Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio
Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio

Eugenio Lucas Velázquez, a Romantic artist, painted mountain landscapes, some of notably large size. Here the depth within the panoramic view, the energy and variety of the brushstrokes and the [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

Soldiers Sacking a City
Pencil, Pencil ground, Grey wash, Grey-brown ink on paper. Second half of the XVI century
Vecchi, Giovanni de
Soldiers Sacking a City
Pencil, Pencil ground, Grey wash, Grey-brown ink on paper. Second half of the XVI century
Vecchi, Giovanni de

The present, convincing attribution to the Roman Mannerist painter Giovanni de´ Vecchi, a late follower of the Zuccari is due to Florian Härb (2003). The unusual composition, with its over-abunda [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

He fell into the trap
Brush, Grey-brown ink, Iron gall ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
He fell into the trap
Brush, Grey-brown ink, Iron gall ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Don’t open your eyes
Brush, Bistre, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Don’t open your eyes
Brush, Bistre, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Seek a doctor
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Seek a doctor
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

One cannot watch
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
One cannot watch
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Concert
Brush, Bistre, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Concert
Brush, Bistre, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

In the first page of his Madrid Sketchbook, Goya depicted scenes of flirting between young people our walking, amorous affairs in meeting places on the outskirts of the city, and social gatherings. Th [+]

Bad sign
Brush, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Bad sign
Brush, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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