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Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative presence of the old woman, with her legs and hands open, her dominant figure contras with the smallness of the child. The almost animal characters of the woman´s face correspond to the irrationality of

Better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration

Concert
Brush, Bistre, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Concert
Brush, Bistre, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

In the first page of his Madrid Sketchbook, Goya depicted scenes of flirting between young people our walking, amorous affairs in meeting places on the outskirts of the city, and social gatherings. This drawing (Album B, 27) present with obvious humor a common form of entertainment habitual in these cases which consisted in the performance of popular songs. The young woman is playing a harpsichord

Bad sign
Brush, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Bad sign
Brush, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration

Seek a doctor
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Seek a doctor
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration

He fell into the trap
Brush, Grey-brown ink, Iron gall ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
He fell into the trap
Brush, Grey-brown ink, Iron gall ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration

Don’t open your eyes
Brush, Bistre, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Don’t open your eyes
Brush, Bistre, Grey-brown ink, Grey ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration

One cannot watch
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
One cannot watch
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration

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