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The Family of Philip V
Oil on canvas. 1743
Loo, Louis-Michel Van
The Family of Philip V
Oil on canvas. 1743
Loo, Louis-Michel Van

The King is depicted with his second wife, Isabella Farnese, forming the centre of the composition and surrounded by their descendents, the future Ferdinand VI, son of the King’s first marriage, and C [+]

These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the They can still serve (D04244), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to [+]

Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de
Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters of War was neither engraved nor published.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequ [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 41, They escape through the flames.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that [+]

Cruel Folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Cruel Folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 6, Cruel Folly. The title of the plate comes from an artist’s proof now at the Museo Lázaro Galdeano in Madrid. Before this state proof with the handwritte [+]

There is No Time Left
Pencil, Red chalk on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
There is No Time Left
Pencil, Red chalk on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Rather than simply reflecting concrete events, Goya sought to capture their essence. He therefore placed himself alongside the action, taking part in a way that no previous artist ever had. This expla [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

People in Sacks
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
People in Sacks
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

People in Sacks is a drawing related to print no. 8 from the Disparates series that Goya began in 1815. The composition of this drawing is vaguely related to the print, People in Sacks (G02176). [+]

Exhortation
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Exhortation
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 16, Exhortation. The series of figures aligned to form a chain alludes to the difficulty of choosing between virtue and chastity, on one hand; and lechery and vic [+]

The kidnapping horse
Red chalk, Wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
The kidnapping horse
Red chalk, Wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 10, The Kidnapping Horse. Closely resembles Folly of Fear (D04274) in its technique, with light reddish washes to define the wooded background and more intense wa [+]

Saint John the Baptist Preaching in the Wilderness
Pencil, Black ink, Grey-brown ink, Wash on dark yellow paper. XVI century
Schiavone, Andrea (Attributed To)
Saint John the Baptist Preaching in the Wilderness
Pencil, Black ink, Grey-brown ink, Wash on dark yellow paper. XVI century
Schiavone, Andrea (Attributed To)

The figure types, especially those of the crowd of listeners on the left are redolent of Schiavone. The handling is weak and the use of dark black ink seems to point to the work of a Netherlandish or [+]

Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de
Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The child Maria de la Luz, a daughter of slaves, was emancipated in January 1796 in the Duchess of Alba´s will as a gesture of generosity and grandeur. The drawing shows the affection shown for her by [+]

The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert
The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert

Esta obra presenta dibujos en las dos caras. Se muestra en el anverso en tinta parda con finos toques de albayalde El regreso del hijo pródigo y en el reverso la historia del buen samaritano, otra par [+]

Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 4, Big Booby. The big booby was an intellectually challenged giant who danced licentiously to the sound of the castanets at carnivals. In this drawing, he frighte [+]

Loyalty
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Loyalty
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

El dibujo preparatorio para Disparates, 17, La lealtad pertenece a una serie que Goya comenzó en 1815, siendo fiel reflejo del contexto histórico y personal del artista que, finalizada la Guerra de la [+]

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