The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
564 results
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro

Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the i [+]

Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)
Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)

While in their collections, Brun´s (?) and Fernández Durán seem to have maintained the traditional attribution to Campi. In a note on the modern museum mount, Anna Forlani suggested the [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

Saints Nícholas of Bari, Francis, and Margaret of Antioch
Pencil, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Malosso (Attributed To)
Saints Nícholas of Bari, Francis, and Margaret of Antioch
Pencil, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Malosso (Attributed To)

[+]

Two Women Seeking Directions from a Man
Pencil, Grey-brown ink on paper. Second half of the XVI century
Anonymous (Circle Of Zuccaro, Federico)
Two Women Seeking Directions from a Man
Pencil, Grey-brown ink on paper. Second half of the XVI century
Anonymous (Circle Of Zuccaro, Federico)

Perhaps by a Spanish follower of Federico Zuccari who was accomplished at representing hunting scenes. [+]

Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo
Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo

Since this drawing was believed in the past to be a work of Michelangelo (1475-1564), it was clearly much revered by at least two of its previous owners, Céan Bermudez adn Brun (?), in spite of [+]

Two Winged Putti Standing to Either Side of a Trophy of Arms
Pencil, Grey-brown ink, Wash on tinted paper. Mid-XVIcentury
Anonymous
Two Winged Putti Standing to Either Side of a Trophy of Arms
Pencil, Grey-brown ink, Wash on tinted paper. Mid-XVIcentury
Anonymous

The drawing carries old attributions on the reverse of the mount to Nicolo dell´Abate and Pordenone. On the modern museum matte, A. Gere has noted it may be from the School of Perino del Vaga, p [+]

Hercules carrying the two columns
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Hercules carrying the two columns
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

The Pillars of Hercules- Mount Abyla in the Atlas Range and Mount Calpe, otherwise of the Rock of Gibralter- were said to have been forced apart by Hercules to create the channel now know as the Strai [+]

Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista
Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista

Traditionally, this work was considered a preparatory sketch for the frescoes on the dome of the collegiate church at La Granja. In 1768 Charles III initiated the decoration of that church, and its do [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Pluto carrying off Persephone in his chariot
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Pluto carrying off Persephone in his chariot
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

This is one of the weakest drawings in the series, the transition between the two foreground figures and the background being especially poor. The drawing on which the Prado copy was based, the wherea [+]

Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio
Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio

The authorship of these two small but lively compositional studies -D1817 and D1818- has given rise to some disagreement. The most recent suggestion that they are the work of the Brescian Lattanzio Ga [+]

Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous
Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous

Although currently placed as anonymous Itlian seventeenth century, the style is clearly that of Titian´s following, possibly an artist working in the ambit of Domenico Campagnola (1500-1564). The exec [+]

Up