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Nude, Christ leans over to the right while holding his tunic. The whipping post and whips are visible in the background to the left. This is a preparatory work for the canvas at the Academy of San Fer [+]
The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]
In this indoor scene, Saint Joseph appears at the left of the composition, kneeling beside the infant Jesus’ cradle and leaning on a cross-shaped crook. The drawing has been cropped on both sides and [+]
La delicada belleza que Cano podía lograr a cualquier escala es claramente evidente en este dibujo de composición acabada. El ángel Gabriel acaba de aparecerse a la Virgen, y se ha posado en tierra co [+]
El dibujo corresponde al periodo de madurez del pintor, en el que acumulaba ya toda su larga experiencia y conocimientos como dibujante, como se desprende del inteligente uso de las aguadas, es decir, [+]
Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]
Kneeling at the left, with his left arm around the lamb, young Saint John raises his eyes to the nude Christ Child standing at his side. The scene is presented in a heart-shaped cartouche. This is a p [+]
In this superb drawing acquired in 1997, two different and independent motives are overlapped. The main one is a nude woman on a bed, but arches and architectural elements have been drawn over it. The [+]
The drawing depicts two standing figures conversing: to the left, Saint John, beardless, holding a chalice in his right hand and turning his head towards the figure on the right, who is probably Jesus [+]
This drawing depicts Saint John in maturity (he may be depicted in youth or old age). He appears seated to the left, possibly on the roots of a tree, holding a writing tablet. Nevertheless, he is not [+]
This is one of a set of preparatory drawings for a series of canvases on the life of Saint Dominic that were painted for the Dominican convent of la Santa Cruz in Granada. None of the paintings has su [+]
Saint Potenciana and Saint Euphrasius are depicted standing on pedestals to the left and the right of the page. Above and behind Saint Potenciana there is a garland of fruits, and in the upper middle [+]
