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Four Bunches of Hanging Grapes
Oil on canvas. Ca. 1636
Fernández "el Labrador", Juan
Four Bunches of Hanging Grapes
Oil on canvas. Ca. 1636
Fernández "el Labrador", Juan

Juan Fernández received the nickname “El Labrador” (“The Farmworker”) because he lived in the country, where he specialized in paintings of fruit. Their quality made them popular in the English [+]

The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)
The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)

A broad landscape is the setting for Moses’s rescue from the Nile River by the Egyptian Pharaoh’s daughter and her retinue. In the foreground, a shepherd sleeps, indifferent to the events taking place [+]

Still Life with four Bunches of Grapes
Oil on canvas. Ca. 1636
Fernández "el Labrador", Juan
Still Life with four Bunches of Grapes
Oil on canvas. Ca. 1636
Fernández "el Labrador", Juan

Before a dark background, four bunches of grapes are displayed to the viewer in this painting. The bunch occupying the central position, larger than the rest, is coloured blue-violet, while the other [+]

The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

In 1814, Goya addressed the reagent, Cardinal Luis de Bourbon, offering to make works commemorating events from the War of Independence (1808-1812): "to perpetuate, with a paintbrush, the most notable [+]

Landscape with the Temptations of Saint Anthony
Oil on canvas. Ca. 1638
Claude (Lorrain, Byname Of Claude Gellée)
Landscape with the Temptations of Saint Anthony
Oil on canvas. Ca. 1638
Claude (Lorrain, Byname Of Claude Gellée)

The saint is depicted among ruins, imploring God to protect him from some small devils who disturb his spiritual retreat. The most striking element in the composition is its sophisticated lighting, wh [+]

Saint James the Elder
Oil on canvas. 1608 - 1614
el Greco (Domenikos Theotokopoulos) (And Workshop)
Saint James the Elder
Oil on canvas. 1608 - 1614
el Greco (Domenikos Theotokopoulos) (And Workshop)

This work is part of an apostolate from the Church of Almadrones, Guadalajara, which repeats the model of the Apostolates at Toledo Cathedral and the Museum-House of El Greco in that same city with ve [+]

Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio
Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio

Eugenio Lucas Velázquez, a Romantic artist, painted mountain landscapes, some of notably large size. Here the depth within the panoramic view, the energy and variety of the brushstrokes and the [+]

Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano
Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano

Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]

Two-spouted vase with the bust of a woman
Albumen on photographic paper. Ca. 1863
Clifford, Jane
Two-spouted vase with the bust of a woman
Albumen on photographic paper. Ca. 1863
Clifford, Jane

Esta fotografía pertenece a una serie formada por 55 piezas (HF01158- HF01213). Las fotografías pertenecen a una colección compuesta por una descripción de cada pieza del Tesoro del Delfín en papel, q [+]

The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles
The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles

Designed by Juan de Villanueva, the building that houses the Museo del Prado has always been an indispensable landmark in Madrid’s urban landscape. Since the mid 1820s, numerous artists have taken an [+]

Cup with the Four Seasons
Albumen on photographic paper. Ca. 1863
Clifford, Jane
Cup with the Four Seasons
Albumen on photographic paper. Ca. 1863
Clifford, Jane

Esta fotografía pertenece a una serie formada por 55 piezas (HF01158- HF01213). Las fotografías pertenecen a una colección compuesta por una descripción de cada pieza del Tesoro del Delfín en papel, q [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D01 [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous
The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous

Dibujo en el que se representa a la Virgen en pie a la izquierda que avanza de frente sobre una nube sostenida por angelitos. A la derecha en la parte baja, San Bernardo aparece arrodillado. Copia pos [+]

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