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Two Nude Putti in a Cornice
Pencil, Grey-brown ink, Wash on tinted paper. Second half of the XVI century
Anonymous
Two Nude Putti in a Cornice
Pencil, Grey-brown ink, Wash on tinted paper. Second half of the XVI century
Anonymous

The motif of paired putti standing derives from the thrones with Prophets on Michelangelo´s Sistine ceiling. [+]

Two Winged Putti Standing to Either Side of a Trophy of Arms
Pencil, Grey-brown ink, Wash on tinted paper. Mid-XVIcentury
Anonymous
Two Winged Putti Standing to Either Side of a Trophy of Arms
Pencil, Grey-brown ink, Wash on tinted paper. Mid-XVIcentury
Anonymous

The drawing carries old attributions on the reverse of the mount to Nicolo dell´Abate and Pordenone. On the modern museum matte, A. Gere has noted it may be from the School of Perino del Vaga, p [+]

Horsemen fighting outside a walled city
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous
Horsemen fighting outside a walled city
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous

The identification of the bearded man bottom left, perhaps a priest or an Old Testament prophet, seems to hold the key to identification of the subject of this interesting drawing. The artist shows kn [+]

Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous
Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous

The central figures of the composition raise the banner with the shield of Pope Clement VII (Giulio de Médicis). The execution is loose and the drawing is evidently the work of a follower. It i [+]

Woman kneeling, with a large urn in front of her [The Magdalen (?)]
Pencil, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous
Woman kneeling, with a large urn in front of her [The Magdalen (?)]
Pencil, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous

The figure appears to derive from the circle of the Florentine Mannierist, Francesco Salviati (c. 1520-c. 1575), rather than from the School of Raphael. Especially redolent of Salviati´s invention is [+]

The Virgin and Child seated in a landscape, adored by St. John the Evangelist
Black chalk, Red chalk on tinted paper. Second half of the XVI century
Anonymous
The Virgin and Child seated in a landscape, adored by St. John the Evangelist
Black chalk, Red chalk on tinted paper. Second half of the XVI century
Anonymous

As pointed out by Giuseppe Scavizzi in a note on the mount, this is a copy after Barocci´s so-called Madonna di S. Giovanni in the Galleria Nationale delle Marche, Urbino, carried out in c. 1565. [+]

Allegory of a royal marriage / A king seated at a table, with a young woman
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous
Allegory of a royal marriage / A king seated at a table, with a young woman
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous

Traditionally attributed to Federico Zuccaro (1540/1-1609). In a pencil note on the modern museum matte, J. A. Gere dismissed this possibility. In Turner´s opinion, there is something in the han [+]

Moses defending the daughters of Jethro
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous
Moses defending the daughters of Jethro
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous

Although the drawing closely reflects Farinati´s style, the weaknesses of handling suggest the work of a studio assistant. The story represented is told in Exodus (2, 11-22). [+]

The Crowning with Thorns
Black chalk, Pencil, White lead, Wash on tinted paper. XVII century
Anonymous
The Crowning with Thorns
Black chalk, Pencil, White lead, Wash on tinted paper. XVII century
Anonymous

Copia del grabado del mismo tema de Annibale Carracci, fechado en 1606. El dibujo es posiblemente de escuela boloñesa, ya que presenta notables semejanzas técnicas con el apunte original de Annibale p [+]

The Angel of the Annunciation
Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous
The Angel of the Annunciation
Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous

Traditionally attributed to Giovanni Battista Trotti, called ´Malosso´ (1556-1619), who was mostly active in Cremona, in Northern Italy. On the other hand, the style of this drawing is per [+]

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