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The Rape of Europe
Oil on panel. 1636 - 1637
Rubens, Peter Paul
The Rape of Europe
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Europe turns a last glance at her companions, who are located outside the composition, as Jupiter carries her away. The god was profoundly enamored of her and transformed into a bull in order to appro [+]

Saint Luke
Oil on canvas. Ca. 1778
Bayeu, Francisco
Saint Luke
Oil on canvas. Ca. 1778
Bayeu, Francisco

This is a sketch for one of the frescoes on the gospel side of the Royal Chapel at the Royal Palace of Aranjuez. Painted in 1778-1779, those frescoes of Saint Luke Painting the Virgin present the sain [+]

Herd of Bulls by a River below a Castle
Oil on canvas. 1837
Pérez Villaamil y Duguet, Genaro
Herd of Bulls by a River below a Castle
Oil on canvas. 1837
Pérez Villaamil y Duguet, Genaro

A herd of bulls graze beside the backwaters of a quiet river, closely watched by the herdsmen resting on the bank. Farther back, two barges filled with local men prepare to cross the river. The closer [+]

Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando
Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando

On his throne, wearing a red tunic and holding the globe of the World in his left hand, Christ offers his blessing with his right. He is flanked by figures representing the Church and the Synagogue an [+]

Amateur Bullfight
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Amateur Bullfight
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Four young men struggle with a young bull in an attempted bullfight or an effort to control the animal. Behind the wall, several spectators watch this particular bullfight. The youth dressed in red ha [+]

Bullfight
Oil on canvas. After 1825
Anonymous
Bullfight
Oil on canvas. After 1825
Anonymous

This canvas is inspired by Goya’s Tauromaquia of 1815 and his Bulls of Bordeaux lithographs of late 1825. The technique suggests a late date, around the end of the 1820s, and is close to Goya’s style. [+]

A Picador
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de
A Picador
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de

An equestrian portrait of a picador, wearing a short bullfighting suit and hat and carrying a long pike. The background is a landscape with a river. X-rays of this work show that this picador is paint [+]

The Rape of Europa
Oil on canvas. Late XVI century
Bassano, Leandro
The Rape of Europa
Oil on canvas. Late XVI century
Bassano, Leandro

The lack of an autograph work of this theme by Jacopo suggests that the idea for the composition came from Francesco at the end of the 1570s, by which time he had gained greater independence from his [+]

Saint Luke
Oil on panel. First half of the XVII century
Wolfordt, Artus
Saint Luke
Oil on panel. First half of the XVII century
Wolfordt, Artus

[+]

Suerte de Varas (Lancing the Bull)
Oil on canvas. Ca. 1855
Lucas Velázquez, Eugenio
Suerte de Varas (Lancing the Bull)
Oil on canvas. Ca. 1855
Lucas Velázquez, Eugenio

Among the multiple sources of inspiration that Eugenio Lucas found in Goya’ works, bullfighting played a very substantial role in his painting career. As a bullfighting connoisseur and friend of bullf [+]

The Rape of Europe
Oil on canvas. 1628 - 1629
Rubens, Peter Paul
The Rape of Europe
Oil on canvas. 1628 - 1629
Rubens, Peter Paul

Rape of Europa is a faithful copy made by Peter Paul Rubens in Madrid after an original by Titian. It shows the Phoenician princess Europa after she was abducted by Zeus, who had taken on the form of [+]

Saint Luke
Oil on canvas. 1771
Bayeu, Francisco
Saint Luke
Oil on canvas. 1771
Bayeu, Francisco

Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the [+]

Hercules and the Cretan Bull
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Cretan Bull
Oil on canvas. 1634
Zurbarán, Francisco de

At Eurystheus’s behest, Hercules killed the Cretan Bull, a dangerous and ferocious animal that was decimating Crete. The Cretan Bull was a handsome bull that Poseidon had asked the king of Crete to sa [+]

Perspective View of a Roman Amphitheatre
Oil on canvas. Ca. 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano
Perspective View of a Roman Amphitheatre
Oil on canvas. Ca. 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano

This painting was one of four views of ancient Roman life commissioned around 1638 for the Buen Retiro Palace, Madrid. Two of the other works depict a Roman circus and a Roman gymnasium respectively, [+]

The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente
The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente

The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]

The Rape of Europe
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
The Rape of Europe
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

El rapto de Europa por parte de Júpiter lo narra Ovidio en sus Metamorfosis en el libro II (838-875): "(...)Se atrevió también la princesa, sin saber a quién montaba, a sentarse sobre el lomo del toro [+]

Bullfight
Oil on canvas. 1867 - 1868
Fortuny, Mariano
Bullfight
Oil on canvas. 1867 - 1868
Fortuny, Mariano

The sketch, almost schematic character of this composition makes this one of the most attractive bullfighting scenes ever painted by Fortuny. It offers a panoramic view of a bullring -probably in Madr [+]

Christ Pantocrator surrounded by the Tetramorph, altar frontal, Solanllong (Ripoll)
Tempera on panel. 1200 - 1210
Master Of Lluça (Workshop Of)
Christ Pantocrator surrounded by the Tetramorph, altar frontal, Solanllong (Ripoll)
Tempera on panel. 1200 - 1210
Master Of Lluça (Workshop Of)

In the centre is Christ in majesty with the Tetramorph (the angel of Saint Matthew; the eagle of Saint John; the lion of Saint Mark, and the bull of Saint Luke). On the left and right sides, respectiv [+]

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