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The Penitent Magdalene in the Grotto of Sainte-Baume
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
The Penitent Magdalene in the Grotto of Sainte-Baume
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

The Evangelist Saint Luke seated in a landscape and other studies
Pencil, Pencil ground, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on dark yellow paper. 1580 - 1581
Veronese, Paolo (Paolo Cagliari)
The Evangelist Saint Luke seated in a landscape and other studies
Pencil, Pencil ground, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on dark yellow paper. 1580 - 1581
Veronese, Paolo (Paolo Cagliari)

The pose of the Evangelist, seated on a mound in a landscape, with one leg astride the back of the ox, his attribute, recalls the painted figure of St. Luke in one of four irregularly shaped compartme [+]

Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael
Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael

Neoclassical painter Anton Raphael Mengs spent some eleven years in Spain -from 1761 to 1769, and again from 1774 to 1777- working primarily on the decoration of Madrid’s Royal Palace for King Charles [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

A chimera
Pencil, Touches of chalk / pencil, Grey-brown wash, White lead on yellow paper. 1590 - 1610
Ligozzi, Jacopo (Attributed To)
A chimera
Pencil, Touches of chalk / pencil, Grey-brown wash, White lead on yellow paper. 1590 - 1610
Ligozzi, Jacopo (Attributed To)

In Greek mythology, the chimera was a fire-breathing female monster resembling a lion in the forepart, a goat in the middle and a dragon in the hind. According to legend, she was a daughter of Typhaon [+]

Head of a Woman
Black chalk, Red chalk, Touches of white chalk on grey paper. First half of the XVIII century
Anonymous
Head of a Woman
Black chalk, Red chalk, Touches of white chalk on grey paper. First half of the XVIII century
Anonymous

Con vestido y peinado del siglo XVIII. Atribuido de antiguo a Barocci, es dibujo de gran calidad que enlaza con la escuela veneciana de la primera mitad del siglo XVIII y debe ser de un artista del cí [+]

Boy with two sheep
Touches of white chalk, Charcoal on tinted paper. XVII century
Cavedone, Giacomo
Boy with two sheep
Touches of white chalk, Charcoal on tinted paper. XVII century
Cavedone, Giacomo

In Bruns´s (?) collection as by the Venetian Jacopo Bassano (c. 1510-1592). P. Pouncey´s seems to be the recent anonymous hand that has noted on the modern museum mount: Cavedone? While the figures re [+]

Life study
Red chalk, Touches of white chalk on dark toned laid paper. XVIII century
Álvarez de la Peña, Manuel
Life study
Red chalk, Touches of white chalk on dark toned laid paper. XVIII century
Álvarez de la Peña, Manuel

Desnudo varonil sentado en una grada, casi de perfil hacia la izquierda, con el torso casi de frente y el brazo izquierdo alzado tras la cabeza (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II [+]

The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria
The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria

A la derecha, Cristo, semidesnudo, muestra la herida del pecho; a su izquierda, inclinado, Santo Tomás introduce en ella su mano; los apóstoles aparecen al fondo en semicírculo. Presenta el estilo car [+]

Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio (Copy After Polidoro Da Caravaggio)
Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio (Copy After Polidoro Da Caravaggio)

The two Barbarian prisoners appear over the main door-way, to the left of a military trophy, in Polidoro´s facade decoration of the Palazzo Ricci, Rome (Ravelli, 1978, pp. 311-27; Leone de Castris, 20 [+]

The Conversion of Saint Paul
Pencil, Touches of white chalk, Grey-brown wash on grey paper. Late XVII century
Conchillos y Falcó, Juan
The Conversion of Saint Paul
Pencil, Touches of white chalk, Grey-brown wash on grey paper. Late XVII century
Conchillos y Falcó, Juan

A la derecha, caído San Pablo alza los ojos y el brazo derecho hacia Cristo que aparece en Gloria. Toda la parte izquierda de la composición la llenan dos caballos caídos en actitudes violentas. Las a [+]

The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for the print Disasters of War, 55, The Worst is to beg. One of Goya’s most singular conceptual contributions in his series of prints, Disasters of War, is his manner of represen [+]

Nude infant kneeling
Red chalk, Touches of white chalk on dark yellow paper. XVI century
Anonymous
Nude infant kneeling
Red chalk, Touches of white chalk on dark yellow paper. XVI century
Anonymous

It is possible that the drawing could be Florentine, since the child´s head shows some influence of Jacopo Pontormo (1494-1556). [+]

Portrait of a Lady
Black chalk, Touches of white chalk on grey paper. XVIII century
Anonymous
Portrait of a Lady
Black chalk, Touches of white chalk on grey paper. XVIII century
Anonymous

Retrato de una dama que se representa con la cabeza de frente y un enorme sombrero de moda francesa de hacia 1785.Por su factura recuerda dibujos de Antonio González Ruíz. Podría ser obra suya de los [+]

Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper. 1777
Goya y Lucientes, Francisco de
Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper. 1777
Goya y Lucientes, Francisco de

This fast and loose sketch, made in black chalk with very few lines and surely drawn from life, is a preparatory work for a figure in the tapestry cartoon Dance on the banks of the Manzanares (1777). [+]

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