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Philip V
Oil on canvas. 1718 - 1722
Meléndez, Miguel Jacinto
Philip V
Oil on canvas. 1718 - 1722
Meléndez, Miguel Jacinto

This portrait of Philip V is based on a prototype devised by Meléndez in the 1720s. It combines a French model with the use of broad, zig-zagging brushstrokes typical of the Madrid Baroque styl [+]

The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine
The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine

The wound in Christ`s side was inflicted after his death (John 19:34). The two angels, blue and dressed in blue, are apparently cherubim. Saint John the Evangelist steps forward to support the weeping [+]

Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. 1781
Flipart, Charles-Joseph
Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. 1781
Flipart, Charles-Joseph

This is the preparatory cartoon for the inlaid hardstone tabletop (O0214). The motifs of paintings and books refer to the Liberal Arts, while the hurdy-gurdy is based on a model by Pierre Louvet. [+]

Portrait of a Lady
Oil on canvas. Ca. 1585
Pulzone, Scipione
Portrait of a Lady
Oil on canvas. Ca. 1585
Pulzone, Scipione

The overall composition conforms to the type of portrait prevailing in Europe in the second half of the 16th century. The arrangement of the figure, slightly turned to the left in order to avoid a rig [+]

Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente
Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente

Although this painting bears a curious apocryphal signature in large letters at the lower left corner of the canvas, Pérez Sanchez (1983) attributed it to Victoria in 1983 on the basis of its V [+]

Virgin in Heaven
Oil on canvas. Second half of the XVI century
Bassano, Francesco
Virgin in Heaven
Oil on canvas. Second half of the XVI century
Bassano, Francesco

This work is a variation on the painting executed by Jacopo towards 1580 for the main altar of the church of the Capuchins in Bassano del Grappa (Museo Civico, inv. 18), a large work (237 x 155 cm) wi [+]

Bartolomé Esteban Murillo
Oil on canvas. XVIII century
Tobar, Alonso Miguel de
Bartolomé Esteban Murillo
Oil on canvas. XVIII century
Tobar, Alonso Miguel de

Copia de gran calidad, en la que aparece el pintor sevillano de medio cuerpo en un marco oval, situando la figura en un marco ilusionista, con efectos de trampantojo.Tobar retrató a importantes person [+]

Self-portrait
Oil on canvas. Ca. 1856
Esquivel y Rivas, Carlos María
Self-portrait
Oil on canvas. Ca. 1856
Esquivel y Rivas, Carlos María

Availing himself of trompe l’oeil, the painter portrays himself at the age of 26 in an oval-shaped painting placed on a table surrounded by various items alluding to the theory and practice of the art [+]

Fake Architectural Mouldings and Ornaments, with Allegorical Figures and Flowers
Tempera, Mural painting on wall covering. 1835
Martínez Salamanca y Costa, Francisco
Fake Architectural Mouldings and Ornaments, with Allegorical Figures and Flowers
Tempera, Mural painting on wall covering. 1835
Martínez Salamanca y Costa, Francisco

From the time of the Museum’s founding this small room was part of the private area known as Their Majesties’ Rest Room (now Room 39). Similar to those existing in other Bourbon palaces, it housed the [+]

Basket of Flowers and View of a Royal Palace of Valencia
Oil on canvas. 1844
Parra Abril, Miguel
Basket of Flowers and View of a Royal Palace of Valencia
Oil on canvas. 1844
Parra Abril, Miguel

Miguel Parra was one of the most important artists in Valencia during the first half of the nineteenth century. he held leading posts in artistic institutions in that city and añsp in the court [+]

Isabella Farnese
Oil on canvas. 1718 - 1722
Meléndez, Miguel Jacinto
Isabella Farnese
Oil on canvas. 1718 - 1722
Meléndez, Miguel Jacinto

The brightly lit figure of Isabella Farnese stands out strongly against a dark background. Her face conforms to the highly idealised and slightly inexpressive prototype that Meléndez used in hi [+]

Death of Saint Peter Martyr
Oil on panel. 1491 - 1499
Berruguete, Pedro
Death of Saint Peter Martyr
Oil on panel. 1491 - 1499
Berruguete, Pedro

This is one of a set of panels (P00611, P00612, P00614 y P00617) from Santo Tomás in Avila, where they were very likely part of an altarpiece dedicated to Saint Peter, the Martyr of Verona. It [+]

Landscape surrounded by trompe-l’oeil Symbols of the Arts
Oil on canvas. 1778
Flipart, Charles-Joseph
Landscape surrounded by trompe-l’oeil Symbols of the Arts
Oil on canvas. 1778
Flipart, Charles-Joseph

This “cartoon” or highly finished preparatory sketch was used as the basis for a tabletop inlaid with hardstones, which is part of a table in the Museum’s collection (O-477) that was originally in the [+]

Still Life with Sweetmeats and Glass Vessels
Oil on canvas. 1622
Hamen y León, Juan Van Der
Still Life with Sweetmeats and Glass Vessels
Oil on canvas. 1622
Hamen y León, Juan Van Der

A narrow board bears a small selection of objects and victuals worthy of a snack. Their volumes and qualities are defined by the light, making the various elements stand out on a very dark background. [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1806, Warrior with a shield, are companions and have remained together from at least as long ago as the late eighteenth century, when they were kept together in the same collecti [+]

Console table
Gilt-bronze, Chalcedony, Paragone, Red jasper, Lapis lazuli. 1779 - 1781
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console table
Gilt-bronze, Chalcedony, Paragone, Red jasper, Lapis lazuli. 1779 - 1781
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

This table`s exquisitely made top is based on a painting by Charles-Joseph Flipart (1721-1797) which is also in the Prado (P07824). The central scene depicts figures in a port, of which the two in the [+]

Console
Gilt-bronze, Paragone, Lapis lazuli. 1784 - 1786
Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Lapis lazuli. 1784 - 1786
Real Laboratorio de Piedras Duras del Buen Retiro

This table has the image of a painting of a seascape and its frame, back to front, as well as playing cards, various chips, a ruler, a hammer, a compass and other carpentry tools, two buckles, a key r [+]

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