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Es un fragmento de una composición mayor. Figuró en la colección del duque del Arco (1745 y 1794). En 1818 consta en el Palacio de Aranjuez, desde donde es enviado al Museo (Texto extractado de Posada [+]
These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]
A model for the tapestry on the same subject that belongs to a series of eight about the Greek hero. The Story of Achilles is smaller than other projects by Rubens, but the quality of its sketches, mo [+]
These two river port views (P2104 and P2105), replete with anecdotal scenes, are characteristic of the work of Hendrick van Minderhout. Since they were acquired by the Museo del Prado, they have been [+]
Among the hunters depicted here are Ferdinand I, King of the Romans, on the left in the foreground, and the Elector of Saxony in the centre. On the other side of the river and holding a crossbow is th [+]
Morera painted various views of this lake in the region of Umbria. This canvas was sent back to Spain during his first study year at the Spanish Academy in Rome. It reveals his interest in the winter [+]
This is the earliest surviving work signed and dated by Carreño, and its style is still closely linked to masters from the first half of the century. Palomino, who knew and had contact with Car [+]
En un puerto, los habitantes de la aldea enclavada en el acantilado que cierra el espacio por la derecha están ocupados en diversas tareas: cargando y afianzando las mercancías en las barcazas anclada [+]
Apoyado sobre una roca con un libro entre las manos, el santo vuelve la cabeza hacia el espectador. En la mitad inferior se han representado extrañas y monstruosas figuras, mientras que en el ángulo d [+]
The arrangement of the composition into parallel planes of colour and the overall stillness of the scene are consonant with Flemish Mannerist landscape painting, which employed a structure of parallel [+]
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This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]
Una barca de vela izada permanece en la orilla junto a un grupo de personas. La pincelada briosa y muy empastada, observable a simple vista, delata que el cuadro se trata de un apunte rápido, tomado d [+]
The painting represents a sea battle between a Dutch ship displaying the coat of arms of the city of Amsterdam on the prow and an English vessel flying the standard with the Cross of St George. The co [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
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