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Masinissa Mourning Over the Death of Sophonisba (?)
Oil on canvas. XVII century
Finoglia, Paolo Domenico
Masinissa Mourning Over the Death of Sophonisba (?)
Oil on canvas. XVII century
Finoglia, Paolo Domenico

Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]

Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark [+]

Still Life with Box of Jelly, Bread, Salver with Glass and Cooler
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Box of Jelly, Bread, Salver with Glass and Cooler
Oil on canvas. 1770
Meléndez, Luis Egidio

Meléndez’s works are characterized by his interest in familiar, everyday realities, which he places in the immediate foreground as if seeking direct contact with the viewer. And yet, in the con [+]

Still Life with Grapes
Oil on canvas. 1771
Meléndez, Luis Egidio
Still Life with Grapes
Oil on canvas. 1771
Meléndez, Luis Egidio

[+]

Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro
Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro

The parable of Lazarus (Luke 16: 19-31) has been interpreted in many ways: an apology of charitable works; a comparison between salvation and perdition, and between gentiles (Lazarus) and Jews (Epulon [+]

Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. 1494
Bosch, Hieronymus
Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. 1494
Bosch, Hieronymus

The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning inherent in the theme of Saint Gregory’s Mass is also found in The Adorat [+]

Offering of Flowers
Oil on panel. 1898
Pinazo Camarlench, Ignacio
Offering of Flowers
Oil on panel. 1898
Pinazo Camarlench, Ignacio

A more than half-length image of a young woman in profile, holding up a basket or tray of flowers. This genre subject was very frequent in Pinazo, and here it is joined by the pictorial tradition of f [+]

The Sense of Touch
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Touch
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figure [+]

The Adoration of the Magi
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de
The Adoration of the Magi
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de

The Virgin Mary sits beside Saint Joseph, holding the newborn Jesus in her lap, while king Melchior kisses the baby´s foot and Casper and Balthasar place their presents on a tray. The idyllic la [+]

Bacchanal
Oil on canvas. 1719
Houasse, Michel-Ange
Bacchanal
Oil on canvas. 1719
Houasse, Michel-Ange

Various personages, semi-nude or wearing tunics, dance, drink, eat grapes, play instruments and enjoy themselves in a garden around a bust of Bacchus. Various popular and classical buildings are visib [+]

Rest on The Flight into Egypt
Pencil on brown paper. XVIII century
Graziani, Ercole
Rest on The Flight into Egypt
Pencil on brown paper. XVIII century
Graziani, Ercole

Ante una palmera, la Virgen sentada de frente con el Niño coge unas frutas que le ofrece un ángel en una bandeja; al fondo San José.Es posible aceptar la atribución antigua del dibujo por su semejanza [+]

Salome
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Salome
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce un lienzo de Tiziano (P428). El título que aparece en la estampa es Salomé con la cabeza de S.n Juan Bautist [+]

Solomon worshipping Idols
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Solomon worshipping Idols
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Beltrán (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Sebastiano Conca conservado en el Museo Nacional del Prado (P00102). Esta estampa se entregaba con el c [+]

The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Beltrán (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Sebastiano Conca conservado en el Museo Nacional del Prado (P00102). Esta estampa se entregaba con el c [+]

Solomon worshipping Idols
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Solomon worshipping Idols
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Beltrán (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Sebastiano Conca conservado en el Museo Nacional del Prado (P00102). Esta estampa se entregaba con el c [+]

Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Beltrán (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Sebastiano Conca conservado en el Museo Nacional del Prado (P00102). Esta estampa se entregaba con el c [+]

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