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Saint Jerome
Oil on canvas. 1640 - 1645
Herrera The Elder, Francisco de
Saint Jerome
Oil on canvas. 1640 - 1645
Herrera The Elder, Francisco de

Saint Jerome is seen in his retreat, studying and reading while listening to the trumpet of the Last Judgment. This is a characteristic work from Herrera’s mature period, which was characterised by a [+]

Christ carrying the Cross, contemplated by Mary and the Christian Soul
Oil on canvas. 1630 - 1650
Diriksen, Felipe
Christ carrying the Cross, contemplated by Mary and the Christian Soul
Oil on canvas. 1630 - 1650
Diriksen, Felipe

This is the only work in the Prado by Diriksen, a royal archer and a painter with a small oeuvre. His style, based on soft, fluid brushstrokes and contrasting illumination, suggests Eugenio Cajé [+]

Sketch of a Standing Boy
Charcoal on blue laid paper. 1903
Blay y Fábrega, Miguel
Sketch of a Standing Boy
Charcoal on blue laid paper. 1903
Blay y Fábrega, Miguel

En este apunte se aprecia la espontaneidad y la gran capacidad de observación de Blay, que utiliza aquí una técnica muy cercana a los dibujos modernistas, de trazos descriptivos, muy largos y lineales [+]

Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio del natural realizado como un ejercicio de tipo académico, valorando el volumen y las características de una joven adolescente, sentada prácticamente de perfil, en el que modela perfectamente [+]

Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel
Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel

Este es un dibujo preparatorio para el grupo Atlantes soportando la bola del mundo, que Blay tituló Las Raíces, base del monumento a Vasco Núñez de Balboa en Panamá. Este se levantó por iniciativa del [+]

Sketch of a Sleeping Man
Conté crayon on laid paper. 1894
Blay y Fábrega, Miguel
Sketch of a Sleeping Man
Conté crayon on laid paper. 1894
Blay y Fábrega, Miguel

Este dibujo sigue la línea que pintores como Ramón Casas estaban desarrollando, con una agilidad y una espontaneidad marcadas por una personal manera de dibujar, con trazos seguros y rápidos de difere [+]

Cup in the form of a kneading trough
Gold, Serpentine, Bloodstone, Enamel. I a.C. century
Anonymous; Roman Sculptor
Cup in the form of a kneading trough
Gold, Serpentine, Bloodstone, Enamel. I a.C. century
Anonymous; Roman Sculptor

A high cup formed by an ancient fragment of serpentine and a foot and stem of heliotrope. The bowl, with a rectangular mouth, is joined by a ring mount and enamelled leaves to the balustroid stem, wit [+]

Case for rock crystal drinking vessel with four lobes and handles with fantastical creatures
Velvet, Metal, Leather, Wood. 1590 - 1610
Anonymous
Case for rock crystal drinking vessel with four lobes and handles with fantastical creatures
Velvet, Metal, Leather, Wood. 1590 - 1610
Anonymous

Los estuches sirvieron para alojar la colección de alhajas que recibe el joven Felipe, duque de Anjou, tras la muerte de su padre Luis de Borbón (el Delfín de Francia). La colección llega a España con [+]

Two Bunches of Grapes
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)
Two Bunches of Grapes
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)

Like its pair (P7905), this canvas was acquired as a work by Juan Fernández el Labrador (documented 1629-57), who specialised in painting grapes. However, the similarities between the pair in t [+]

Two Bunches of Grapes with a Fly
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)
Two Bunches of Grapes with a Fly
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)

Like its companion (P7906), this piece was acquired by the Museo del Prado with an attribution to Fernández el Labrador (doc. 1629-1657), a painter specialized in depictions of grapes. However, [+]

In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro
Oil on canvas. 1881
Pinazo Camarlench, Ignacio
In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro
Oil on canvas. 1881
Pinazo Camarlench, Ignacio

On his deathbed, King Jaime I of Aragon gives his sword to his son, begging him not to sheath it until the Muslims have been totally expulsed and the Reconquista completed. In this work, Pinazo presen [+]

Saint Anthony Abbot in a Landscape
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Anthony Abbot in a Landscape
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

The Actress María Guerrero as Doña Inés
Oil on canvas. 1891
Madrazo y Garreta, Raimundo de
The Actress María Guerrero as Doña Inés
Oil on canvas. 1891
Madrazo y Garreta, Raimundo de

This portrait is one of the most beautiful examples of the great actress María Guerrero’s (1867-1928) lifelong obsession with her own image. She began having her portrait painted by the most fa [+]

The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus
The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus

Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]

The Brazen Serpent
Oil on canvas. 1618 - 1620
Dyck, Anthony Van
The Brazen Serpent
Oil on canvas. 1618 - 1620
Dyck, Anthony Van

This dramatic scene from the Old Testament (Numbers 21, 5-9) depicts the moment when Moses saves his people from the snakes sent by God as punishment for their lack of faith. The bronze serpent on a r [+]

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