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This attractive group portrait, one of the most interesting of the 17th-century Dutch school on account of its bourgeois spirit with aristocratic leanings, is an extraordinary skilful depiction of the [+]
The first known reference to this work dates from 1746, when an inventory of paintings at the La Granja Palace was drawn up. There, it is attributed to Velázquez and identified as a likeness of [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
A research published by Javier González Santos has revealed that the 19th-century inventories of the Museo del Prado accurately cited the subject of this drawing as alluding to the Holy Cross a [+]
This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]
A bust of a woman with cloak and turban, designed by combining materials of various colours. The holes in the earlobes and on the back of the turban suggest it may have worn a diadem or some adornment [+]
