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Saint Peter
Tempera on twill / twill weave canvas. 1491 - 1499
Berruguete, Pedro
Saint Peter
Tempera on twill / twill weave canvas. 1491 - 1499
Berruguete, Pedro

Forma parte de un conjunto de cuatro sargas que procedían probablemente, de la Iglesia de Santo Tomás. Temáticamente distribuidas por parejas, dos de ellas representan a San Pablo (P123) y, ésta de San Pedro, en hornacinas, mientras que las otras dos componen la Adoración de los Reyes. Una con la Virgen y el Niño recibiendo el presente del rey más anciano (P125) y la otra con los dos magos restant

Saint Paul
Tempera on twill / twill weave canvas. 1491 - 1499
Berruguete, Pedro
Saint Paul
Tempera on twill / twill weave canvas. 1491 - 1499
Berruguete, Pedro

This is one of a group of four tempera paintings on canvas twill probably from the church of Santo Tomás in Avila. The four are thematically grouped in two pairs, one with depictions of saints -Saint Peter (P124) and the present Saint Paul- and the other, an Adoration of the First Magus (P125) and Two Magi (P126). The four works have similar compositions, with Renaissance structures and fun

Two Magi
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro
Two Magi
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro

The scene of the Adoration of the Magi, which begins with the depiction of the eldest Magus presenting his offering to the Christ Child (P125), is completed with this second one in which the other two Kings wait to present chalices containing the frankincense and myrhh, symbols of the Child’s divinity and his role as mankind’s redeemer. This composition, together with the one that completes the ep

Adoration of the First Magus
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro
Adoration of the First Magus
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro

This composition, together with the one that completes the episode, showing the other two Magi (P126), was painted to cover the doors of an organ, probably the one in the church of Santo Tomás in Ávila. The oldest Magus kneels before the Virgin and Child while presenting a casket of gold, an offering that symbolises Christ’s royalty. The composition and architecture reveal Berruguete

The Wine of Saint Martin's Day
Glue-size on twill / twill weave canvas. 1566 - 1567
Bruegel The Elder, Pieter
The Wine of Saint Martin's Day
Glue-size on twill / twill weave canvas. 1566 - 1567
Bruegel The Elder, Pieter

Practically unknown until now, the present canvas has only been mentioned and reproduced in an article by Matías Díaz Padrón, former curator at the Prado, that was published in Archivo Español de Arte in 1980. The author, who had not seen the painting at first hand, attributed it to Pieter Brueghel the Younger.The canvas depicts the Saint Martin`s Day wine festival. The

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