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The Carlist Painter and his Family
Oil on canvas. 1869
Domínguez Bécquer, Valeriano
The Carlist Painter and his Family
Oil on canvas. 1869
Domínguez Bécquer, Valeriano

In a space half-way between a private living-room and an artist’s studio, a family adopts a group pose. The well-to-do surroundings of the group, whose identity has yet to be determined, reflect the o [+]

Self-portrait
Oil on canvas. Ca. 1856
Esquivel y Rivas, Carlos María
Self-portrait
Oil on canvas. Ca. 1856
Esquivel y Rivas, Carlos María

Availing himself of trompe l’oeil, the painter portrays himself at the age of 26 in an oval-shaped painting placed on a table surrounded by various items alluding to the theory and practice of the art [+]

Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Ganymede
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Ganymede
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Copy of a Statue of a Nude Woman Seen from the Rear
Pencil, Grey-brown ink on yellow paper. XVI century
Passerotti, Bartolomeo (Attributed To)
Copy of a Statue of a Nude Woman Seen from the Rear
Pencil, Grey-brown ink on yellow paper. XVI century
Passerotti, Bartolomeo (Attributed To)

The model was presumably a bronze statuette, or a plaster cast from such a statuette. To gain proficiency in drawing the human figure artists frequently taught their pupils from such casts and models. [+]

Fortuna
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Fortuna
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Terpsichore
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Terpsichore
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Calliope
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Calliope
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Erato
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Erato
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Athena
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Athena
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Orestes and Pylades or The San Ildefonso Group
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Orestes and Pylades or The San Ildefonso Group
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Diana de Bubaste
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Diana de Bubaste
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Isis
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Isis
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Venus
Bronze. 1530 - 1534
Bandinelli, Baccio
Venus
Bronze. 1530 - 1534
Bandinelli, Baccio

Bandinelli gave a “bellissima Venere”, in his own words, to Charles V prior to 1536, which is recorded in the collection of Charles’s sister, Mary of Hungary. It was executed in Rome from a cast of a [+]

Tiberius
Gilt-bronze, Alabaster. 1610 - 1612
Cordier, Nicolas. Il Franciosino (Manner Of)
Tiberius
Gilt-bronze, Alabaster. 1610 - 1612
Cordier, Nicolas. Il Franciosino (Manner Of)

This full-length statue of the Emperor Tiberius (42BC to 37AD) is striking in its combination of materials, also found in other works by Cordier such as the Saint Agnes made for the Roman church of th [+]

Athena
White marble. Early I century
Roman Sculptor
Athena
White marble. Early I century
Roman Sculptor

This is a Roman copy of a statue of Athena, created between 450 and 440 B. C. by the Greek sculptor Myron, together with the figure of Marsyas. Installed on the Acropolis of Athens, between the Propyl [+]

Apollo with Zither
White marble. 175 - 200
Roman Sculptor
Apollo with Zither
White marble. 175 - 200
Roman Sculptor

This statue is a Roman copy of a late Hellenistic statue (c. 100 B. C.) which, in turn, was inspired by the main statue of the temple of Apollo Sosianus in Rome, made by the Athenian sculptor Timarchi [+]

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