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The Annunciation
Oil on oak panel. 1420 - 1425
Campin, Robert
The Annunciation
Oil on oak panel. 1420 - 1425
Campin, Robert

The event is set in a gothic temple, alluding to the New Law that replaces the old one, represented by the Romanesque tower in the background. The sculptures on the outside of the church and on the to [+]

Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

Cats fighting in a Larder
Oil on canvas. 1630 - 1640
Vos, Paul de
Cats fighting in a Larder
Oil on canvas. 1630 - 1640
Vos, Paul de

With the owners or house servants away, the animals sneak into the larder, giving free rein to their instincts. This leads to a fight. Scenes of animal fights in domestic settings were customary in mi [+]

The Hall of the Full College in Venice
Oil on canvas. 1606 - 1618
Malombra, Pietro
The Hall of the Full College in Venice
Oil on canvas. 1606 - 1618
Malombra, Pietro

Malombra, especialista en escenas de interiores, representó la recepción del dux Leonardo Donato al español Alonso de la Cueva, embajador en Venecia entre 1606 y 1618, y la ambientó en la Sala del Col [+]

Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus
Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus

Two banderoles, one above and the other below the central circle, contain Latin texts from Deuteronomy (32: 28-29 and 20), warning against the wages of sin. The upper banderole, between the tondos of [+]

Country Wedding
Oil on canvas. Ca. 1612
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Country Wedding
Oil on canvas. Ca. 1612
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

A wedding procession moves towards the church in a rural setting. The male members of both families lead the procession, headed by the groom. The flower in his hand is clearly a symbol of matrimony. T [+]

The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The painting shows a luxurious domestic interior. The window at the far end contains a stained glass scene of the Anunciation, an allusion to Christ’s incarnation. The Virgin Mary receives the baby Sa [+]

The Annunciation
Oil on panel. Ca. 1470
Master Of Sopetrán
The Annunciation
Oil on panel. Ca. 1470
Master Of Sopetrán

The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]

Diego Hurtado de Mendoza y Figueroa, 1st Duke of Infantado
Oil on panel. Ca. 1470
Master Of Sopetrán
Diego Hurtado de Mendoza y Figueroa, 1st Duke of Infantado
Oil on panel. Ca. 1470
Master Of Sopetrán

The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]

The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Of The Luna Family
The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Of The Luna Family

The artist of this panel is traditionally referred to as the Master of the Luna Family, whom Post first identified in 1933 as one of the two painters who produced the altarpiece for the chapel of Sain [+]

The Raising of Lazarus
Oil on pine panel. 1514 - 1519
Flandes, Juan de
The Raising of Lazarus
Oil on pine panel. 1514 - 1519
Flandes, Juan de

In keeping with the style of his final years in Palencia, this Flemish painter increases the size of the three main figures- Christ blesses Lazurus, who rises from the tomb. His hand rests on the top [+]

Celebration of the Ommegang in Brussels: the procession of Our Lady of the Sablon
Oil on canvas. 1616
Alsloot, Denis Van
Celebration of the Ommegang in Brussels: the procession of Our Lady of the Sablon
Oil on canvas. 1616
Alsloot, Denis Van

In the Place du Grand Sablon in Brussels various groups of magistrates, confraternities, religious orders and leading citizens march with a statue of the Virgin and the reliquary of Saint Juliana of N [+]

View of the south Façade of the Museo del Prado from inside the Botanical Gardens
Oil on canvas. Ca. 1835
Avrial y Flores, José María
View of the south Façade of the Museo del Prado from inside the Botanical Gardens
Oil on canvas. Ca. 1835
Avrial y Flores, José María

Avrial trained with Fernando Brambilla in the Italian tradition of the classicising veduta. His urban views include clear, accurate descriptions of buildings and monuments rendered with a precise and [+]

Triptych of the Life of the Virgin
Oil on panel. Ca. 1445
Bouts, Dirk
Triptych of the Life of the Virgin
Oil on panel. Ca. 1445
Bouts, Dirk

This triptych presents four scenes: the Annunciation, the Visitation, the Adoration of the Angels and the Adoration of the Magi. Painted around 1445, it is considered the earliest surviving work by Di [+]

Saint Francis of Assisi in la Porziuncola
Oil on canvas. Ca. 1646
Castello, Félix (Attributed To)
Saint Francis of Assisi in la Porziuncola
Oil on canvas. Ca. 1646
Castello, Félix (Attributed To)

Angulo and Pérez Sánchez provisionally attributed this work in their study of painting from Madrid (1969), considering it a canvas from his final years—a period with no confirmed works b [+]

The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de Juan de Pareja conservado en el Museo Nacional del Prado (P01041), se atribuye a Isidore-Justine-Séverin Taylor ( [+]

The Calling of Saint Matthew
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Calling of Saint Matthew
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de Juan de Pareja conservado en el Museo Nacional del Prado (P01041), se atribuye a Isidore-Justine-Séverin Taylor ( [+]

The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de Juan de Pareja conservado en el Museo Nacional del Prado (P01041), se atribuye a Isidore-Justine-Séverin Taylor ( [+]

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