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The Virgin and Saint Joseph asking for Inn
Shell work on panel. XVIII century
Anonymous
The Virgin and Saint Joseph asking for Inn
Shell work on panel. XVIII century
Anonymous

Series of six scenes dedicated to the Life of the Virgin (P4781 a P4786). "Enconchados", executed using a technique of Oriental origin, were very popular in New Spanish culture, and local artists deve [+]

The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

According to the Suidas, the drawing is similar in composition to the altarpiece in S. Bartolommeo degli Armeni, Genoa. This design was recycled in another altarpiece of the subject in S. Giovanni Bat [+]

Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

The Virgin and Child, with the Infant St. John the Baptist, in a landscape [the return from the flight into Egypt (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Virgin and Child, with the Infant St. John the Baptist, in a landscape [the return from the flight into Egypt (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

[+]

The entry of Christ into Jerusalem
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The entry of Christ into Jerusalem
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

A variant of this composition is to be found in the Cambiaso Album, no.20, D01864. [+]

The prayer in the garden
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
The prayer in the garden
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

This is a replica of a drawing by Cambiaso or his School in the Uffizi, Florence (inv. no. 13733), of which another weaker copy is in Berlin (KdZ. 15986). [+]

The Agony in the Garden
Black chalk, Pencil, Grey wash, Grey-brown ink on dark yellow paper. XVII century
Anonymous
The Agony in the Garden
Black chalk, Pencil, Grey wash, Grey-brown ink on dark yellow paper. XVII century
Anonymous

La composición, terminada en una forma mixtilínea, representa en primer término, Jesucristo arrodillado se apoya en unas rocas; a su izquierda un ángel volando, le ofrece el cáliz. (Texto extractado d [+]

Flagellation
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous
Flagellation
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous

[+]

Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The prime version of this composition is a drawing by Cambiaso in the British Museum, London (Inv. no. Ff. 4-17). A second, weaker version, bay a member of the School, is in the Witt Collection, the C [+]

Christ kneeling on the Cross
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Christ kneeling on the Cross
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

It is hard for the viewer to make out the cross lying on the ground, its from only loosely indicated in brush and wash and the contours not picket out in pen and ink. Cambiaso´s own drawing of the com [+]

The entombment of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The entombment of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

In his mind and late career, Cambiaso painted a number of pictures of this subjetct, including those in the Accademia Ligustica, Genoa and the Chiesa Parrocchiale, Castagnola di Framura. The Suidas li [+]

Flagellation
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Flagellation
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Cambiaso´s own drawing of this composition is in Albertina, Vienna (inv. no. 2751). Two other versions, both in the Uffizi, Florence, embody significant variations to the design (inv. nos. 13725 and 1 [+]

Christ and the Samaritan woman
Pencil, Grey-brown ink, Wash on yellow paper. Last third of the XVI century
Anonymous
Christ and the Samaritan woman
Pencil, Grey-brown ink, Wash on yellow paper. Last third of the XVI century
Anonymous

Two drawings of the subject, evidently variants of the same upright composition datable 1565-70, were formerly in the Suida Manning Collection and are now in the Jack S. Blanto Museum, the University [+]

The deposition of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The deposition of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The sheet is pasted down onto an early nineteenth-century French mount, with the border colored in light green and pink. A number of drawings of this composition, or close variants, are known. This is [+]

The Transfiguration of Christ
Red chalk on dark yellow paper. Mid-XVIIIcentury
Anonymous
The Transfiguration of Christ
Red chalk on dark yellow paper. Mid-XVIIIcentury
Anonymous

In the lower part, sitting on the ground in different attitudes, the three apostles; at the top, Jesus Christ accompanied by two prophets. The drawing is not original, but tracing someone else´s [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Connected by the Suidas with the composition of Cambiaso´s lost painting, formerly in the church of S. Giuliano d´Albarim Genoa. The appareance of the picture may to some extent be judged from survivi [+]

The mocking of Christ
Pencil, Grey ink, Grey-brown ink, White lead, Wash on blue paper. XVI century
Anonymous
The mocking of Christ
Pencil, Grey ink, Grey-brown ink, White lead, Wash on blue paper. XVI century
Anonymous

Based on a composition by Jacobo Bassano. For another copy after a composition of Bassano, see Cavedone, Giacomo, D01834. [+]

The Last Supper
Pencil, Grey-brown ink, Charcoal on dark yellow paper. Mid-XVIIIcentury
Anonymous
The Last Supper
Pencil, Grey-brown ink, Charcoal on dark yellow paper. Mid-XVIIIcentury
Anonymous

La mesa, paralela al plano de la composición. En el centro, Jesucristo alza su mano derecha para bendecir el cáliz y sostiene el pan con la otra. A su alrededor se agrupan los apóstoles.El dibujo pres [+]

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