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This is not less
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is not less
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

The title indicates the continuity between this composition and he preceding one of the series, Strange Devotion, where a group of people are shown venerating a sacred mummy being carried by a donkey. [+]

Strange Devotion!
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 66, Strange Devotion! In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men i [+]

For speaking in a different way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
For speaking in a different way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Many of the drawings from what is known as Album C show prisoners tortured and condemned by the Inquisition. Specifically, the drawings from plates 85 through 114 offer a critical overview consistent [+]

It may be that he is good
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
It may be that he is good
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

One cannot watch
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
One cannot watch
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Strange Devotion!
Etching, Aquatint, Burnisher on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Etching, Aquatint, Burnisher on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de

In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men in his band of criminals, who, despite being thieves, “were man of [+]

It’s a hard step!
Burnished wash, Drypoint, Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
It’s a hard step!
Burnished wash, Drypoint, Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

Execution scenes constitute one of the most outstanding thematic groups in the series. The significant number of prints depicting different versions of this form of repression and extreme violence—Dis [+]

Those specks of dusts
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Those specks of dusts
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Goya ha reproducido en esta estampa un Autillo o penitencia pública, y el sentido de su título, indica claramente que ha querido satirizar las actividades de la Inquisición y las costumbres que ésta e [+]

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