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The Virgin and Child
Oil on panel. Ca. 1520
David, Gérard (Attributed To)
The Virgin and Child
Oil on panel. Ca. 1520
David, Gérard (Attributed To)

Mary is depicted over half-length, standing with her child in her arms, beside an arch with gothic tracery and landscape in the background. The Christ Child plays with the coral beads of a rosary his [+]

The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van
The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van

Christ rests, lifeless, on his own shroud. He is held by his Mother, who looks imploringly to the heavens. Mary Magdalene kisses his hand while Saint John contemplates the scene from behind. The Crown [+]

The Virgin and Child on a Throne of Angels
Oil on canvas. Ca. 1661
Espinosa, Jerónimo Jacinto
The Virgin and Child on a Throne of Angels
Oil on canvas. Ca. 1661
Espinosa, Jerónimo Jacinto

Espinosa was the leading painter working in Valencia in the mid-seventeenth century. He deployed a naturalistic style characterised by precise description and a selective use of light. Most of his wor [+]

The Holy Family surrounded by Saints
Oil on panel. Ca. 1630
Rubens, Peter Paul
The Holy Family surrounded by Saints
Oil on panel. Ca. 1630
Rubens, Peter Paul

The Virgin sits with the Christ Child in the midst of grandiose classical architecture. She is surrounded by numerous saints in various positions. Above her, some angels prepare to crown her as Queen [+]

The Judgement of a Soul
Oil on canvas. 1663 - 1664
Cerezo, Mateo
The Judgement of a Soul
Oil on canvas. 1663 - 1664
Cerezo, Mateo

The judgement of an individual soul is a subject rooted in popular religious theater. The oldest known depictions date from the 15th century and show an angel and a devil arguing over the possession o [+]

Lot and his Daughters
Oil on canvas. Ca. 1634
Furini, Francesco
Lot and his Daughters
Oil on canvas. Ca. 1634
Furini, Francesco

An outstanding work in Francesco Furini’s oeuvre and one of the most sensual and morbid of all Italian Baroque paintings, Lot and his daughters, c.1634, depicts the Old Testament story of Lot (Genesis [+]

The Immaculate Conception
Oil on canvas. 1628 - 1629
Rubens, Peter Paul
The Immaculate Conception
Oil on canvas. 1628 - 1629
Rubens, Peter Paul

Wearing a red tunic, blue robes and a crown of stars, the Virgin treads on a serpent carrying the apple of Sin, in keeping with the customary iconography for this Catholic image. By placing Mary over [+]

The Holy Family with Saint Anne
Oil on canvas. Ca. 1630
Rubens, Peter Paul
The Holy Family with Saint Anne
Oil on canvas. Ca. 1630
Rubens, Peter Paul

Peter Paul Rubens, the Flemish Baroque artist, was also a humanist scholar, art collector, and diplomat. In 1628, Rubens went to Madrid to meet with Philip IV, King of Spain (1621-1665), as part of hi [+]

The Virgin and Child with the Infant Saint John
Oil on panel. 1515 - 1520
Orley, Bernard Van
The Virgin and Child with the Infant Saint John
Oil on panel. 1515 - 1520
Orley, Bernard Van

In her hand, Mary holds a pear, one of the fruits of Paradise, which presents her as the new Eve. The Christ Child sits on her knees and plays with its opposite, a rosary that alludes to the Passion. [+]

The Virgin of the Rosary
Oil on canvas. 1650 - 1655
Murillo, Bartolomé Esteban
The Virgin of the Rosary
Oil on canvas. 1650 - 1655
Murillo, Bartolomé Esteban

In 1836, the English critic John Ruskin lavished praise on Bartolomé Esteban Murillo’s technique and identified the uniqueness of his approach: It is true that his Virgins are never such goddes [+]

The Immaculate Conception
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del
The Immaculate Conception
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del

All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion o [+]

The Virgin of the Rosary
Black chalk on laid paper. XVIII century
Anonymous
The Virgin of the Rosary
Black chalk on laid paper. XVIII century
Anonymous

Dibujo en el que se representa a la Virgen del Rosario lujosamente vestida, con rostrillo y corona, lleva el Niño sobre el brazo izquierdo y con la derecha sostiene un rosario y unas flores.En la mism [+]

Saint Dominic de Guzmán
Black chalk, Red chalk on dark toned paper. XVII century
Rizi, Francisco
Saint Dominic de Guzmán
Black chalk, Red chalk on dark toned paper. XVII century
Rizi, Francisco

El Santo aparece arrodillado sobre una grada; parece adoptar el gesto de asir con su mano derecha el Rosario que le ofrece la Virgen, cuya silueta aparece sólo apuntada en el lado izquierdo de la comp [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

The Virgin of the Rosary
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Camarón, José
The Virgin of the Rosary
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Camarón, José

La Virgen coronada de estrellas y en pie, alarga un rosario con la mano derecha a unos ángeles que le ofrecen un canastillo de flores y con la mano izquierda sostiene al Niño Jesús, que en pie sobre u [+]

The Virgin and Child with Angels
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Ca. 1665
Cano, Alonso
The Virgin and Child with Angels
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Ca. 1665
Cano, Alonso

El motivo central de este dibujo –la Virgen con el Niño de pie- guarda una estrecha relación con la composición pintada que realizó Cano de La Virgen del Rosario de la Catedral de Málaga, finalizada e [+]

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

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