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The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert
The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert

Esta obra presenta dibujos en las dos caras. Se muestra en el anverso en tinta parda con finos toques de albayalde El regreso del hijo pródigo y en el reverso la historia del buen samaritano, otra par [+]

Adoration of the Kings
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on wallpaper, yellow laid paper. XVI century
Anonymous (Copy Calvaert, Denys)
Adoration of the Kings
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on wallpaper, yellow laid paper. XVI century
Anonymous (Copy Calvaert, Denys)

Formerly placed as Martin de Vos, the composition and figure types point rather to the work of Calvaert. [+]

Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous
Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous

El rostro es muy cercano a Anton von Maron (1733-1808). En este momento Mengs ya estaba en Roma y era Director de la Academia, por lo que seguramente eligió o influyó en la elección de esta postura. [+]

Fan with ivory ribs
Ivory. XVIII century
Anonymous
Fan with ivory ribs
Ivory. XVIII century
Anonymous

De origen japonés, el abanico era considerado un objeto indispensable en las manos de las damas ilustres y de las humildes mujeres del pueblo, por lo que era considerado uno de los elementos más preci [+]

Fan with ivory ribs
Ivory. XVIII century
Anonymous
Fan with ivory ribs
Ivory. XVIII century
Anonymous

This fan has inlaid ivory ribs with Chinese motifs and some gold touches with paint at the bottom; the guides are also made of ivory with pebble-like painted motifs. The paper leaf is decorated with p [+]

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