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Octagonal Still Life with Bunches of Grapes
Oil on canvas. 1646
Espinosa, Juan de
Octagonal Still Life with Bunches of Grapes
Oil on canvas. 1646
Espinosa, Juan de

The octagonal format of this painting makes it unique among still lifes in seventeenth-century Spain (and, indeed, the rest of Europe), in which rectangular supports predominated. This peculiarity has [+]

The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Anonymous
The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Anonymous

En esta obra se aúnan los temas del descendimiento de la cruz y del llanto sobre Cristo muerto, asunto que, en una disposición asimétrica en diagonal, se presenta en primer término, buscando conmover [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de
María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de

María Teresa Vallabriga y Rozas (1759-1820), was the wife of the infante Luis de Borbón (1727-1785), the brother of King Carlos III (1716-1788). As a member of the lower nobility, he was [+]

The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Anonymous
The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Anonymous

Pareja de El Descendimiento o La Quinta Angustia (P117), ambos son copias en pequeño formato de dos óleos sobre lienzo pintados por Correggio entre 1520 y 1524 para la iglesia de San Giovanni Evangeli [+]

Young woman stroking her hair
Brush, Indian ink wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Young woman stroking her hair
Brush, Indian ink wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]

Young woman sweeping
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Young woman sweeping
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]

Angel with Christ’s Cross
Walnut. 1425 - 1435
Maes, Tydeman
Angel with Christ’s Cross
Walnut. 1425 - 1435
Maes, Tydeman

This pair of angels with instruments of the Passion (E00493, E00711) was sculpted for export by Maes in Bruges, as the rare signatures on the reverses indicate. The pair comes from a church in norther [+]

Angel with Christ’s Cross
Walnut. 1425 - 1435
Maes, Tydeman
Angel with Christ’s Cross
Walnut. 1425 - 1435
Maes, Tydeman

This pair of angels with instruments of the Passion (E00493, E00711) was sculpted for export by Maes in Bruges, as the rare signatures on the reverses indicate. The pair comes from a church in norther [+]

Chest
Walnut. 1550 - 1575
Anonymous
Chest
Walnut. 1550 - 1575
Anonymous

Pieces of furniture of this type originated in northern Italy and were extremely popular during the Renaissance. They were used for storing a range of objects, particularly clothes and textiles. This [+]

Model of Juan de Villanueva’s project for the Cabinet of Natural History
Lemonwood, Boxwood, Mahogany, Walnut, Pine. 1786
Anonymous
Model of Juan de Villanueva’s project for the Cabinet of Natural History
Lemonwood, Boxwood, Mahogany, Walnut, Pine. 1786
Anonymous

This model provides a general idea of the another “proposal” presented by Villanueva to Charles III in 1786 -the plans have since been lost- for the construction of a Cabinet of Natural History, a bui [+]

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