An elderly Wamba rejects the crown that the Visigoth nobles offer him with a wave of his hand, but one of them threatens to kill him if he does not accept it. This work was painted for the Casino de la Reina in Madrid, and was envisaged as a pair to Cincinnatus abandons the Plough to dictate Laws to Rome, painted several years earlier and also in the Prado.
The hero of Republican Rome, Lucius Quinctius Cinncinatus had abandoned public life and retired to farm work. This painting depicts the moment when various representatives of the Senate offer to name him dictator. Ribera chooses the exact moment when the senators hand the purple robes, symbolizing power, to Cincinnatus, who has just stopped plowing. The correct drawing and perfect modeling of the
Flavius Ervigius was a king of the Visigoths in Hispania (680-687). The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the
The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the