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Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y
Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y

In 1624, soon after Velázquez`s arrival at court, the political writer Almansa noted that the equestrian order was and is the backbone of republics. This notion was shared by the Spanish monarc [+]

Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan
Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan

Herod and Herodias appear at the right of the composition. Sitting at a table painted in foreshortened perspective, they look on—the king with a stupefied expression—as Salome presents them with the p [+]

Christ washing the Disciples’ Feet
Fresco painting on mural transferred to canvas. 1200 - 1215
Master Of San Esteve Of Andorra
Christ washing the Disciples’ Feet
Fresco painting on mural transferred to canvas. 1200 - 1215
Master Of San Esteve Of Andorra

In the Upper Room, represented here by architectural elements that support a curtained arch, Christ prepares to wash the feet of Peter, who duly raises his leg in order to put his foot into a bowl. On [+]

Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)
Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)

Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]

Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

Rest on The Flight into Egypt
Pencil, Wash on yellow laid paper. XVIII century
Camarón y Meliá, Juan José
Rest on The Flight into Egypt
Pencil, Wash on yellow laid paper. XVIII century
Camarón y Meliá, Juan José

Dibujo en el que se representa a la Virgen, sentada en el centro de la composición, que con el Niño en el regazo contempla a un ángel mancebo que, arrodillado, le tiende una escudilla. San José tras e [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

La Virgen se encuentra sentada sobre unas nubes, en la parte superior derecha, y el Niño se aleja de su madre para dirigirse hacia San Félix, cuyos brazos abiertos esperan al pequeño que ha sido confi [+]

The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)
The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)

Delante de un fondo arquitectónico la Virgen y Santa Isabel tienden las manos la una hacia la otra mientras Zacarías, a la sombra de la puerta situada a la derecha, y San José, a la izquierda, las con [+]

Ecce Homo
Black chalk, Grey-brown wash on brown paper. XVII century
Ghitti, Pompeo
Ecce Homo
Black chalk, Grey-brown wash on brown paper. XVII century
Ghitti, Pompeo

La composición de este Ecce Homo se encuentra incluida en un medio punto, donde aparecen las tres figuras de tres cuartos, Cristo en el centro rodeado por tres sayones.La atribución antigua a Ghitti e [+]

The Virgin and Child
Pencil, Yellow wash on yellow laid paper. XVIII century
Calleja, Andrés de la
The Virgin and Child
Pencil, Yellow wash on yellow laid paper. XVIII century
Calleja, Andrés de la

Representación de la Virgen, sedente, de más de medio cuerpo, vista desde su perfil izquierdo, que contempla al Niño Jesús, envolviéndole en un pañal, mientras que éste eleva sus brazos y mirada al ci [+]

The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de
The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de

La imagen, vestida y coronada con amplísima corona de radios, va sobre una peana de molduras cóncavas y convexas y flanqueada por dos pilastras cajeadas, decoradas con placas y guirnaldas, sobre las c [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

Standing Angel
Pencil, Grey-brown wash on yellow laid paper. 1630
Cano, Alonso
Standing Angel
Pencil, Grey-brown wash on yellow laid paper. 1630
Cano, Alonso

Sánchez Cantón thought the inscription on the banner was by the artist himself and added that this may have been the design for an ex-libris or a frontispiece. The Museo del Prado’s 1857 [+]

Saint Michael
Pencil, Grey-brown wash on yellow paper. XVII century
Camilo, Francisco
Saint Michael
Pencil, Grey-brown wash on yellow paper. XVII century
Camilo, Francisco

El Arcángel aparece representado armado, con casco emplumado, con la espada flamígera en la mano derecha y sosteniendo una filacteria con su lema (QVIS VT DEVS = Quién como Dios) en la izquierda, mien [+]

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