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The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous
The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous

Es dibujo de buena calidad y de escuela boloñesa de la primera mitad del siglo XVIII, relacionado con el estilo de Antonio Gionima.En él se representa en la parte baja a los apóstoles, arrodillados y [+]

The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous (After Romano, Giulio (Giovanni Francesco Penni))
The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous (After Romano, Giulio (Giovanni Francesco Penni))

Antonio Ponz, en su Viage a España (1782) describe en el Palacio del Buen Retiro un dibujo con este tema, que quizá fuese este: "36 Por un pasillo se va desde este Oratorio a la pieza, que llaman del [+]

St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The prototype by Cambiaso copied here is a drawing in the Art Museum, Princeton University (inv. no. 49-74). Another School version, evidently superior to the Prado copy, was formerly in the Köni [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)
The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)

A la derecha sentado sobre unas rocas y vestido de pastor, Paris, en su mano ofrece la manzana de oro a Venus, en pie, entre Juno, sentada de espaldas, y Minerva.El dibujo lleva una atribución a Grazi [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Agony in the Garden
Black chalk, Grey wash on dark yellow paper. XVIII century
Anonymous
The Agony in the Garden
Black chalk, Grey wash on dark yellow paper. XVIII century
Anonymous

Las figuras, de pequeño tamaño en relación al espacio; Cristo arrodillado en unas rocas, con los brazos abiertos, a su derecha, en alto, vuela el ángel con el cáliz en las manos. En la parte baja, los [+]

The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

According to the Suidas, the drawing is similar in composition to the altarpiece in S. Bartolommeo degli Armeni, Genoa. This design was recycled in another altarpiece of the subject in S. Giovanni Bat [+]

Four putti flying
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Four putti flying
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Two other directly corresponding School versions of this drawing are know: one is in the Uffizi, Florence; the second, with the putto top left cut away, is in the Galleria Estense, Modena (inv. no. 66 [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)
The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)

Delante de un fondo arquitectónico la Virgen y Santa Isabel tienden las manos la una hacia la otra mientras Zacarías, a la sombra de la puerta situada a la derecha, y San José, a la izquierda, las con [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

This is copied from one of a seres of engravings of Twelve Apostles by Marco Dente da Ravenna, which is monogrammed R S (Raffaello Sanzio) as the inventor of the designs. The Prado drawing is derived [+]

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