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Satan’s Desperation does not correspond to any of the prints from the Disparates, but it shares the same formal and technical characteristics as the rest of that series’ preliminary drawings: the same [+]
A preparatory drawing for Disparates, 4, Big Booby. The big booby was an intellectually challenged giant who danced licentiously to the sound of the castanets at carnivals. In this drawing, he frighte [+]
This preparatory drawing for the etching Capricho 7, God forgive her: Even thus he cannot make her out (G02095) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the ba [+]
This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]
El dibujo preparatorio para Disparates, 17, La lealtad pertenece a una serie que Goya comenzó en 1815, siendo fiel reflejo del contexto histórico y personal del artista que, finalizada la Guerra de la [+]
This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique [+]
A preparatory drawing for the aquatint, Capricho 39, As Far Back as his Grandfather (G02127), this is one of twenty-six pen drawings from the Dreams series that constitutes the basis for the Caprichos [+]
This drawing’s composition, its relaxed and summary technique and the paper on which it was drawn are all related to the preparatory drawings for the Disparates, although there is no known engraved ve [+]
This drawing occupies the front of the sheet that bears Sketch of the Royal Astronomical Observatory of Madrid (D04146 v) on the back. The image has frequently been considered a view of a street in Ma [+]
A preparatory drawing for Disparates, 16, Exhortation. The series of figures aligned to form a chain alludes to the difficulty of choosing between virtue and chastity, on one hand; and lechery and vic [+]
A preparatory drawing for Disasters of War, 11, Not even this way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish [+]
This scene shows a person shooting fire out of his mouth before a crowd of astonished onlookers, including a boy in the foreground. In light of the critical interpretation of the Disparates series, th [+]
This subject was treated by Goya in 1791in his cartoon for the tapestry entitled The Straw Manikin. Whereas in that piece the theme is playful, in the Disparates series it is rendered somber by the pr [+]
This preparatory drawing for the etching Capricho 54, The shameful one (G02156) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for The Caprichos. Headed by [+]
There is no known engraving of this drawing, which shows a multitude of small figures climbing the body of a sleeping giant with a brightly lit face. Unlike other works by Goya, the giant’s facial fea [+]
This drawing related to the Disasters was never engraved. It is technically and stylistically related to five other ink drawings included in the group of preparatory drawings for The Disasters of War [+]
A preparatory drawing for Disparates, 11, Folly of poverty. [+]
In the first page of his Madrid Album, Goya depicted scenes of flirting between young people our walking, amorous affairs in meeting places on the outskirts of the city, and social gatherings. This dr [+]
