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Female Nude or After the bath
Oil on canvas. Ca. 1869
Rosales Gallinas, Eduardo
Female Nude or After the bath
Oil on canvas. Ca. 1869
Rosales Gallinas, Eduardo

Considered to be, with good reason, the most beautiful nude in nineteenth-century Spanish painting, this work provides eloquent testimony of the modernity that made Rosales stand out in the Spanish ar [+]

Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter
Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter

This painting formed part of the collection of the Marquis of Castro-Serna (Madrid) where, according to Michel (1887) -who repeats information given by Alfonso de Stuers- it appeared in 1887 as a pend [+]

Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny y Marsal, Mariano
Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny y Marsal, Mariano

This work is an excellent example of the way in which an interest in the art of Spain´s Golden Age combines in Mariano Fortuny´s paintings with the close study of subjects made from life. Nude Old Man [+]

View of Pompeii with Vesuvius in the background
Pencil ground, Watercolour on paper. XIX century
Montañés y Pérez, Bernardino
View of Pompeii with Vesuvius in the background
Pencil ground, Watercolour on paper. XIX century
Montañés y Pérez, Bernardino

[+]

Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny y Marsal, Mariano
Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny y Marsal, Mariano

Fortuny was particularly interested in the human types who were part of Rome’s urban landscape. Prominent among them were these Capuchin friars dressed in the characteristic brown tunic and long cloak [+]

Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny y Marsal, Mariano
Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny y Marsal, Mariano

In the summer of 1874, Fortuny found the Tyrrhenian sea to be a constant stimulus for painting outdoors. The cobalt-blue of the expanse of water is the predominant feature of this seascape, depicted f [+]

Idyll
Watercolour, Gouache on paper. 1868
Fortuny y Marsal, Mariano
Idyll
Watercolour, Gouache on paper. 1868
Fortuny y Marsal, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico
Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico

A decisive breakthrough in the career of the Tuscan painter Lodovico Cigoli came with his contribution to a series of six paintings required for the new altars for St Peter’s Basilica in Rome. Accordi [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny y Marsal, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny y Marsal, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

Pietá
Pencil, Pencil, Watercolour on paper. 1842
Ponzano Gascón, Ponciano
Pietá
Pencil, Pencil, Watercolour on paper. 1842
Ponzano Gascón, Ponciano

Hasta la Guerra Civil, en la que fue destruido el santuario una noche de diciembre de 1937, La Piedad de Ponzano estuvo en el templo de la Virgen de Riánsares, en Tarancón (Cuenca), sobre la cripta do [+]

On the Banks of the Guadaira
Watercolour on paper. 1871
Rico y Ortega, Martín
On the Banks of the Guadaira
Watercolour on paper. 1871
Rico y Ortega, Martín

Rico moved to Andalusia in 1870 and worked alongside his friend Mariano Fortuny. While in Seville he painted views of the area around the Guadaira river, dotted with market gardens and orange trees. R [+]

Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis
Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis

El catalán Luis Rigalt fue uno de los más destacados representantes del paisajismo español del siglo XIX y su producción pictórica abarcó prácticamente toda la centuria, evidenciándose en ella su evol [+]

Lanscape at Portici
Watercolour, Gouache on paper. 1874
Fortuny y Marsal, Mariano
Lanscape at Portici
Watercolour, Gouache on paper. 1874
Fortuny y Marsal, Mariano

In the summer of 1874 Fortuny settled in a seaside villa in Portici, near Naples, where he painted several landscapes and seascapes that show his interest in the study of painting from life. This inte [+]

The Annunciation
Pencil, Pencil ground, Grey-brown wash, Watercolour on yellow laid paper. Third quarter of the XVII century
Palacios, Francisco
The Annunciation
Pencil, Pencil ground, Grey-brown wash, Watercolour on yellow laid paper. Third quarter of the XVII century
Palacios, Francisco

En la escena, se representa a la Virgen arrodillada en un reclinatorio, sobre el que apoya un libro de oraciones; a la derecha, el Arcángel San Gabriel, arrodillándose ante ella, le anuncia el misteri [+]

Menippus, detail (copy after Velázquez)
Watercolour, Gouache on paper. 1866 - 1868
Fortuny y Marsal, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)
Menippus, detail (copy after Velázquez)
Watercolour, Gouache on paper. 1866 - 1868
Fortuny y Marsal, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)

Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]

A Moroccan
Watercolour on paper. 1869
Fortuny y Marsal, Mariano
A Moroccan
Watercolour on paper. 1869
Fortuny y Marsal, Mariano

This work is a typical example of the watercolours Fortuny produced in his Roman studio during winter and early spring afternoons and evenings. In them he painted Arab subjects based on free interpret [+]

Sand with Mountain Line. Morocco
Pencil strokes, Watercolour on white paper. Ca. 1860
Fortuny y Marsal, Mariano
Sand with Mountain Line. Morocco
Pencil strokes, Watercolour on white paper. Ca. 1860
Fortuny y Marsal, Mariano

The Provincial Council of Barcelona sent Fortuny to Morocco to compile graphic information for subsequent paintings on the most notable achievements in the Spanish-Moroccan War, in which Catalan volun [+]

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