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Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter
Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter

This painting formed part of the collection of the Marquis of Castro-Serna (Madrid) where, according to Michel (1887) -who repeats information given by Alfonso de Stuers- it appeared in 1887 as a pend [+]

Female Nude, or After the Bath
Oil on canvas. Ca. 1869
Rosales Gallinas, Eduardo
Female Nude, or After the Bath
Oil on canvas. Ca. 1869
Rosales Gallinas, Eduardo

Considered to be, with good reason, the most beautiful nude in nineteenth-century Spanish painting, this work provides eloquent testimony of the modernity that made Rosales stand out in the Spanish ar [+]

Village Kitchen
Oil on panel. Ca. 1632
Ostade, Adriaen Van
Village Kitchen
Oil on panel. Ca. 1632
Ostade, Adriaen Van

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early i [+]

Rustic Concert with Pipe and Violin
Oil on panel. 1635 - 1637
Ostade, Adriaen Van
Rustic Concert with Pipe and Violin
Oil on panel. 1635 - 1637
Ostade, Adriaen Van

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in the Netherlandsin the early seventeenth century. In Houbraken and in early invento [+]

Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny, Mariano
Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny, Mariano

This work is an excellent example of the way in which an interest in the art of Spain´s Golden Age combines in Mariano Fortuny´s paintings with the close study of subjects made from life. Nude Old Man [+]

Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano
Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano

Fortuny was particularly interested in the human types who were part of Rome’s urban landscape. Prominent among them were these Capuchin friars dressed in the characteristic brown tunic and long cloak [+]

Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano
Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano

In the summer of 1874, Fortuny found the Tyrrhenian sea to be a constant stimulus for painting outdoors. The cobalt-blue of the expanse of water is the predominant feature of this seascape, depicted f [+]

Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico
Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico

A decisive breakthrough in the career of the Tuscan painter Lodovico Cigoli came with his contribution to a series of six paintings required for the new altars for St Peter’s Basilica in Rome. Accordi [+]

View of Pompeii with Vesuvius in the background
Pencil ground, Watercolour on paper. XIX century
Montañés y Pérez, Bernardino
View of Pompeii with Vesuvius in the background
Pencil ground, Watercolour on paper. XIX century
Montañés y Pérez, Bernardino

[+]

Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis
Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis

El catalán Luis Rigalt fue uno de los más destacados representantes del paisajismo español del siglo XIX y su producción pictórica abarcó prácticamente toda la centuria, evidenciándose en ella su evol [+]

The Annunciation
Pencil, Pencil ground, Grey-brown wash, Watercolour on yellow laid paper. Third quarter of the XVII century
Palacios, Francisco
The Annunciation
Pencil, Pencil ground, Grey-brown wash, Watercolour on yellow laid paper. Third quarter of the XVII century
Palacios, Francisco

En la escena, se representa a la Virgen arrodillada en un reclinatorio, sobre el que apoya un libro de oraciones; a la derecha, el Arcángel San Gabriel, arrodillándose ante ella, le anuncia el misteri [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

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