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Saints Andrew and Francis
Oil on unlined canvas. Ca. 1595
el Greco (Domenikos Theotokopoulos)
Saints Andrew and Francis
Oil on unlined canvas. Ca. 1595
el Greco (Domenikos Theotokopoulos)

Under a sky filled with leaden-gray storm clouds, Saint Andrew and Saint Francis of Assisi stand next to each other in conversation. The apostle appears on the viewer’s left, wearing a cobalt blue tun [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

Pan and Syrinx
Oil on canvas. 1760 - 1765
Boucher, François
Pan and Syrinx
Oil on canvas. 1760 - 1765
Boucher, François

The scene depicts a group of naked young women being surprised by a male who violently thrusts aside the reeds behind which they are concealed, while some cupids retreat in fear. The work illustrates [+]

Agnus Dei
Oil on canvas. 1635 - 1640
Zurbarán, Francisco de
Agnus Dei
Oil on canvas. 1635 - 1640
Zurbarán, Francisco de

A dark background and a gray table are the setting for this painting’s only motive: a merino lamb between eight and twelve months old. Still alive, it lies with bound feet in an unmistakably sacrifici [+]

Father Bernard Praying in the Portes Charterhouse
Oil on canvas. 1632
Carducho, Vicente
Father Bernard Praying in the Portes Charterhouse
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Juan Martínez Montañés
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Juan Martínez Montañés
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

A sculptor is shown modeling (possibly in wax) a head of Philip IV, making this one of the most important 17th-century Spanish portraits of an artist. Besides its impeccable quality, this work is a ve [+]

Female Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)
Female Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)

Free-standing wax sculpture was a particularly important genre in 18th-century Bologna and artists aimed to produce impressively lifelike, almost hyper-realist effects. In order to do so they used rea [+]

Male Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)
Male Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)

Wax sculpture allowed for the creation of extremely precise technical details that produced an intense sensation of reality. Scandellari was one of the most important practitioners of this technique i [+]

Small rock crystal ewer without a handle or lip
Gold, Rock crystal / hyaline quartz, Diamond, Enamel. 1550 - 1575
Toutain, Richard; Anonymous
Small rock crystal ewer without a handle or lip
Gold, Rock crystal / hyaline quartz, Diamond, Enamel. 1550 - 1575
Toutain, Richard; Anonymous

Vessel formed by three pieces of rock crystal and two gold mounts. The globular body is carved with gadroons and dart motifs. The short neck is adorned with ova enamelled in blue and a lower spiral mo [+]

Boat-shaped cup with a band of birds and flowers on the mount
Gold, Agate, Ruby, Diamond, Emerald, Jasper, Enamel. 1590 - 1610
Taller Milanés (?); Anonymous
Boat-shaped cup with a band of birds and flowers on the mount
Gold, Agate, Ruby, Diamond, Emerald, Jasper, Enamel. 1590 - 1610
Taller Milanés (?); Anonymous

A vessel made up of three pieces of jasper and one of agate. The oval body, with a diminished arch profile, is carved with ten gadroons and engraved leaves separated by ribs with arrises. On the lower [+]

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