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Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de

Goya uses a single work to present two types of hunting —on foot and on horseback— and various types of individuals. In the foreground, one hunter shoots quail while another follows his dog, which sme [+]

The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de
The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas on the banks of Madrid´s Manzanares River. The Hermitage of the Virgin of the Port is just visible behind a group of trees on [+]

Charles III in Hunting Dress
Oil on canvas. Ca. 1786
Goya y Lucientes, Francisco de
Charles III in Hunting Dress
Oil on canvas. Ca. 1786
Goya y Lucientes, Francisco de

A portrait of King Charles III (1716-1788), son of Philip V and Elizabeth of Farnesio, shortly before he died in Madrid on December 14, 1788. The king appears in a royal hunting preserve, either aroun [+]

General José de Palafox on Horseback
Oil on canvas. 1814
Goya y Lucientes, Francisco de
General José de Palafox on Horseback
Oil on canvas. 1814
Goya y Lucientes, Francisco de

This portrait of José Rebolledo de Palafox y Melci (1775-1847), Field Marshal of Zaragoza, commemorates his defense of the city in 1808 when it was besieged by the French during the War of Inde [+]

General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de
General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de

Don José de Urrutria y de las Casas (1739-1809), was the only soldier of his day to reach the rank of Field Marshal without being a titled nobleman. He is shown wearing the Cross of Saint Georg [+]

Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de

A tapestry cartoon with two chained dogs, two shotguns, a powder horn, and other hunting implements on a small hill, with a landscape in the background. The resulting tapestry was intended to hang ove [+]

The Tobacco Guards
Oil on canvas. 1780
Goya y Lucientes, Francisco de
The Tobacco Guards
Oil on canvas. 1780
Goya y Lucientes, Francisco de

In October 1777, Goya received a commission to paint 20 cartoons for tapestries intended to decorate the walls of the Prince and Princess of Asturias´s bedchamber and its anteroom in the palace of El [+]

Hunter by a Spring
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
Hunter by a Spring
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

A hunter rests beside a spring, his shotgun still on his lap. The figure´s solitude and his distracted gaze bring out the peace of life in Nature. The naturalism of the composition and its strai [+]

A Hunter with his Hounds
Oil on canvas. 1775
Goya y Lucientes, Francisco de
A Hunter with his Hounds
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This cartoon is for a tapestry to hang in a corner next to a door or window and is the pair to Hunter loading his Rifle (P-5539). Goya creates a perfect fusion between the figure and the natural setti [+]

Boys playing at Soldiers
Oil on canvas. 1779
Goya y Lucientes, Francisco de
Boys playing at Soldiers
Oil on canvas. 1779
Goya y Lucientes, Francisco de

This cartoon for an over-door tapestry depicts boys playing at soldiers, marching with their rifles on their shoulders or playing the drum. The principal boy’s lively, martial air and amusingly childl [+]

Carlos IV on Horseback
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Carlos IV on Horseback
Oil on canvas. 1800
Goya y Lucientes, Francisco de

An equestrian portrait of the Spanish monarch wearing the uniform of a colonel of the Guardia de Corps, with other insignias, such as the Sash of the Order of Carlos III, that of Saint Genaro and the [+]

Hunter loading his Rifle
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Hunter loading his Rifle
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This tapestry cartoon shows a hunter loading a shotgun, with a dog lying at his feet and other hunters behind him. This work is as fine example of Goya´s interest in Nature. He perfectly integra [+]

Ferdinand VII at an Encampment
Oil on canvas. After 1815
Goya y Lucientes, Francisco de
Ferdinand VII at an Encampment
Oil on canvas. After 1815
Goya y Lucientes, Francisco de

Several portraits of Ferdinand VII are attributed to Goya, though only a few have sufficient quality to be considered fully his own work. Furthermore, there is no accurate documentation of the portrai [+]

The Hermitage of Saint Isidore on the Saint’s Feast Day
Oil on canvas. 1788
Goya y Lucientes, Francisco de
The Hermitage of Saint Isidore on the Saint’s Feast Day
Oil on canvas. 1788
Goya y Lucientes, Francisco de

During the fiesta of Saint Isidore, patron saint of Madrid, on 15 May, the city dwellers visit his hermitage to drink the water from a miraculous spring that, according to tradition, the saint caused [+]

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